From DVD booklet:
The works recorded here are made by Jun Kurosawa mainly in his years
at university.
The remarks on Jun Kurosawa’s works have been focusing on his
impulse of destruction, which are expressed in degenerative keywords
such as “death” and “thanatos”: whereas aesthetical images are
also often mentioned. Is it because his distinct features help them to
establish such images? The features can be described as “film scratch”
and “harsh noise,” all of which can be found in his masterpieces such
as “NEKO-MIMI (1994)” and “JESUS WITH ONE LEG (1991-1994).”Read More »

Andrzej Żuławski’s directorial debut, adapted from The Witch, an 1886 short story by Anton Chekhov.

The shooting took place in December 1958 when Żuławski was still a student of IDHEC (now called La Femis).Read More »

From allmovie:
Texasville is Peter Bogdanovich’s much-delayed sequel to The Last Picture Show. Adapted from Larry McMurtry’s novel and told as a series of episodes, Texasville follows the characters from The Last Picture Show as they reunite in a small Texas town nearly 30 years after the end of the last movie, and face a number of adult problems, as well as confronting lingering emotions and memories from adolescence. — Stephen Thomas ErlewineRead More »

From IMDb:
In 1988, before SALAAM BOMBAY brought international fame, Mira Nair filmed four TV documentaries investigating diverse aspects of Indian society. INDIA CABARET was one of them, one which won the Indian Director a few international festival awards for best documentary.Read More »

“We are Going Home” is a 10 minute experimental film shot in June 97, at a Philip Hoffman’s film retreat in rural Ontario. The film was made in the memory of Marian McMahon, an experimental Canadian filmmaker who died of cancer in the fall of 1996. “We are going Home”, solarized, tinted, and optically printed, is a surreal portrait of desire, ghosts and pursuit.E Rhythmic color shifts in the emulsion brings life to the country landscape, which comes to embody the terrain of the subconscious. Three women act seek pleasure and past in parallel universes which cannot intersect. Consciousness is always singular.Read More »

Hick, an unemployed chimney sweep from Munich, has an illegitimate child, Su, with the grumpy convent sister. Su adores her father and dreams of a life together in Tibet. After abolishing the church tax, drinking vast quantities of beer and symbolically separating from his wife, Hick is finally able to “rid the earth of himself”: he is struck dead by lightning at the Viktualienmarkt and Su is stabbed to death by her jealous mother. Shortly thereafter, both are reborn in the Tibet of 1662 and find love for each other through Buddhist enlightenment and contemplation.Read More »

Martyn Hesford’s comedy-drama about the life and times of tortured comic Kenneth Williams based on his diaries.Read More »

Fad,Jal is a Serere Senegalese village. At school, children learn, in French, the grammar and history of France. Villagers practice their religion in a church, a vestige of colonialism. At the foot of a tree, the ancestor and a griot tell in Wolof the history of the village to the children, its creation, its customs, its traditions. This is an opportunity to discover the crafts, agricultural techniques and the difficulty of exploiting the land because of the drought. In parallel, the daily Serere is confronted to the governmental policy which appropriates from now on the lands, previously transmitted orally between the villagers.Read More »

Florian Widegger wrote:
‘Goodbye romance – welcome reality’ is the almost programmatic title of one of the songs that accompanies this remarkable film by Siggi Götz and Jess Franco’s former assistant, who died young. The 18-year-old Dave is imprisoned for stealing a motorbike, but fakes a suicide and, chased by law enforcement officers, makes his way through West Berlin, which was surrounded by a wall at the time and is the film’s secret main attraction. First he seeks out his girlfriend, a stripper in one of the city’s hippest clubs, then he settles unfinished business with his ex-client … Schenkel’s official directorial debut – enriched with great punk and new wave music made in West Germany – is a chilly and visually stunning document of the no-future generation. Rightly cult!Read More »