Synopsis
The Marquise de Montespan is a scheming adventuress who hopes to become the favoured mistress to King Louis XIV of France to advance her social status. However, she is thwarted by the young Angélique de Fontanges, who is the King’s current favourite. Out of desperation, the Marquise de Montespan engages the services of a professional poisoner, the venomous La Voisin, to render her rival ugly. The potion unfortunately kills the young Angélique, and the royal court is thrown into turmoil…Read More »

Quote:
Woman is the Future of Man may not mark any major departures of style for celebrated auteur Hong Sang-soo, but the filmmaker is still in top form in this tightly-constructed, mesmerizing work. Although it features much of the awkward dialogue and cutting irony that has made Hong’s previous films so distinctive, Woman feels in some ways both more shallow and more elusive than the works that preceded it. As such, it is a difficult film to make sense of, unless you have had previous exposure to the negative energy that fills Hong’s cinematic world.Read More »

Je, tu, elles… (ou Elles plus elles) (1969) is a french movie from Peter Földes, released on TV but never in theaters.Read More »

Quote:
After reading a newspaper article about a town being destroyed in a fire, Eguchi begins to recall the summer he spent there writing his thesis. It’s a beautiful canal town, the “Venice of Japan.” As he arrives, he is greeted by the daughter of the Kaibara household, Yasuko. The rest of her family seems mysteriously absent. On his first night, Eguchi hears the stifled sound of crying. He attempts to find the source, and is soon drawn into the conflict that is tearing the family apart. While he likens the town to a dream, some of the inhabitants do not share his feelings. There is a sense of being stuck in time, with ruin and death the only future.Read More »

A beautiful summer day. A garden. A terrace. A woman and a man sit at a table beneath the trees, with a soft summer wind. In the distance, in the vast plain, the silhouette of Paris.
A conversation begins: questions and answers between the woman and the man. It deals with sexual experiences, childhood, memories, the essence of summer and the difference between men and women. It illustrates both, feminine perspective and masculine perception.
In the background, inside the house that opens onto the terrace, on the woman and the man: the writer, in the process of imagining this dialogue and typing it down. Or is it the other way around? Might it be that those two characters over there tell him what he’s putting down on paper: a long, final dialogue between a man and a woman?Read More »

Fleeing a U.S. attack during the war, 2 sisters and their governess are shipwrecked on a (not so ) deserted island. Believe it or not Lina appears to have only one brief nude scene. Who’d a thunk it? As you can see there is some flesh on display so thank god for that. Another Franco jungle “masterpiece”. Enjoy!Read More »

In Marseilles, France in 1794, Desiree Clary, a young millinery clerk, becomes infatuated with Napoleon Bonaparte, but winds up wedding Genaral Jean-Baptiste Berandotte, an aid to Napoleon who later joins the forces that bring about the Emperor’s downfall. Josephine Beauharnais, a worldly courtesan marries Napoleon and becomes Empress of France, but is then cast aside by her spouse when she proves unable to produce an heir to the throne.Read More »

Synopsis:
‘On a lazy Athenian morning of a warm summer Sunday, Mina, a young and fresh saleswoman, decides to go for a splash, only to have her chronically empty purse stolen–and with it–a soon-to-be winning lottery ticket. And just like that, fate–and a pair of juvenile delinquents looking for a quick buck–will bring together the unfortunate Mina and the ticket’s handsome new owner, Alexis, against the backdrop of irritating and fruitless litigation. Of course, Mina wants her robbed luck back; however, what if fortune and the impatient god of desire, Cupid, are already on her doorstep?’
– Nick RiganasRead More »

Quote:
“The Children”, a movie that contains a single wacky idea so absurd and outrageous that you are almost entertained for the entire length of the feature. Created for the drive-in/exploitation circuit, “The Children” remains engaging enough until somewhere near its conclusion, where the director seemingly loses the movie’s feeble sense of logic and goes strictly for laughs.Read More »