Synopsis:
Charlie is just out of the prison when he learns about his friends’ failed attempt at carrying out a heist in Italy. Now with the Mafia close on his heels, he intends to carry out the job himself.Read More »

Quote:
Emily Crane is fired after refusing to give names to a 1951 House Un-American Activities Committee, and takes a part-time job as companion to an old lady. One day her attention is drawn to a noisy argument being conducted largely in German in a neighbouring house, the more so since one of those involved is her main senator prosecutor. Starting to look into things, she gradually enlists the help of FBI officer Cochran who was initially detailed to check her out. Just as well when things turn nasty.Read More »

This film is loosely based on Goethe’s Dr. Faustus. It’s the second feature that Gonzalo Suárez made, when he still was a member of the Barcelona School (Escuela de Barcelona). The Barcelona School was a 1960s group of Catalan filmmakers, concerned with the disruption of daily life by the unexpected, whose stylistic affinities lie with the pop art movement of the same years and with the French Nouvelle Vague. Among their members: Joaquin Jordà, Jacinto Esteva, José María Nunes, and also, at the begining of their career, Vicente Aranda and Gonzalo Suárez.Read More »

Nora Helmer has years earlier committed a forgery in order to save the life of her authoritarian husband Torvald. Now she is being blackmailed lives in fear of her husband’s finding out and of the shame such a revelation would bring to his career. But when the truth comes out, Nora is shocked to learn where she really stands in her husband’s esteem.
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Steve Seid writes:
Clouzot’s final foray into features takes us into another tortured love triangle to explore voyeurism and, by extension, the very gaze that so draws us to cinema. Josée (Elisabeth Wiener) meets her artist-lover’s gallerist, the chic but kinky Stanislas Hessler (Laurent Terzieff), whose hobby is photographing female nudes in S&M postures. Naturally, Josée succumbs to the temptation to pose, but finds she needs bonding not bondage. Enter the obsessive kinetic artist Gilbert (Bernard Fresson), and the triangulated trap is sprung. Like Peeping Tom, Woman in Chains uses the camera’s gaze as a substitute for our own voyeuristic impulse.Read More »

Virginal 19-year-old Shokichi goes to the small island Maja-jimais, to collect the bones of his father Shoji, a man he never knew, which have been left to bleach in the sun at the foot of the cliff where the sea washed them up. But Shokichi is accompanied by three hookers who take the trip as a vacation – at least, until they all go down with food poisoning, probably from eating bad pig’s liver.Read More »

Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese’ captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year. Part documentary, part concert film, part fever dream, ‘Rolling Thunder’ is a one of a kind experience, from master filmmaker Martin Scorsese.Read More »

We follow four Sudanese filmmakers on their journey through dusty archives and bureaucratic institutions. Their dream: To bring cinema back to Sudan.Read More »

The Guardian wrote:

Rewatching director Rowan Woods’ chilling suburban drama The Boys (1998) feels like spending time with creepy acquaintances you hoped to never meet again. The story is based on a horrific crime, but there is something disturbingly mundane and commonplace about the way the film unfolds – the sense similar events may be taking place as we watch, in suburbs we frequent and neighbourhoods in which we live.Read More »