An uncompromising and prolific auteur whose battles with censorship during the Communist era are legendary, Mircea Daneliuc doubles as director and star of Microphone Test, a pivotal film in Romanian cinema and a direct reference point for the future New Wave. The film’s protagonist, Nelu (Daneliuc), is a TV cameraman who falls for Ani, one of his interview subjects for a feature on misdemeanour offenders who have been caught on trains without a ticket. Unemployed and without a fixed address, Ani is the quintessential undesirable, an outcast in a society rigidly controlled by state-imposed morals. As Nelu finds himself torn between his casual but stable relationship with his colleague Luiza and his intense attraction to Ani, Microphone Test paints a raw and heart-wrenching portrait of personal liberation versus social(ist) conformity.Read More »

Synopsis:
A dock worker in Le Havre hears a human sound inside one of the containers in port, that container which left Gabon three weeks ago and which was supposed to arrive in London five days after its departure from Gabon, which didn’t happen. The Le Havre police and French border guards find a still alive group of illegal African immigrants inside. On the sign from one of his elders, a young teen boy among the illegal immigrants manages to escape, news of which hits the local media. The first friendly face that boy, Idrissa, encounters is that of former artist now aged shoeshine Marcel Marx. Marcel decides to help Idrissa by hiding him in his house, news which slowly trickles through his community of friends – most of whom he associates with at his local bar – and neighbors, most who assist Marcel in this task.Read More »

Synopsis:
After murdering his mistress and being hunted by the authorities in France, Pierre (Jean Gabin) stows away aboard a ship bound for Genoa, Italy. Though he’s immediately robbed after arriving, things look up for Pierre when he meets Cecchina (Vera Talchi), a kind-hearted young girl who introduces him to her mother, Marta (Isa Miranda). Pierre and Marta fall in love, but the French police are closing in on him and the new couple may not have much time left.Read More »

Film Society of Lincoln Center Writes:
Tourneur’s moral and aesthetic complexity elevates this dark, anti-heroic western. Set on the brink of the Civil War, the deceptively titled Great Day in the Morning stars Robert Stack as a smooth-talking, opportunistic Southerner who drifts into Denver, his presence inflaming the already heated tensions between the Yankees and Confederates—and between two women he caddishly pursues, played by Virginia Mayo and Ruth Roman. As the film circles around themes of greed, jealousy, and violence, its increasingly sinister tone is mirrored by Tourneur’s intricate mise en scène, which begins in soft pastel hues and ends in noir shadows.Read More »

Synopsis:
A psychedelic re-telling of the biblical story. Salome is the daughter of the second wife of King Herod. The King is infatuated with her and after she fails to seduce the prophet John (The Baptist) she dances for the King in order to ask for his execution. The story is told in a bizarre way of fast cuts, repetitive dialogue and extreme satire.Read More »

A film thought to be lost until 5 reels (out of 9) were found in the UCLA archives. It was derived from an eponymous play by Marcel Achard which allowed to reconstruct he synopsis. Jean Gabin is the captain of the Cormorant, a horse-drawn barge, living happily along the canals with his sister Mique and Sylvestre (Pierre Blanchar), his fellow mariner and friend. The film starts with Gabin rescuing a young lady named Marinette (Madeleine Renaud) who had fallen in the canal for unsaid reason. Gabin soon also falls (for her), they get married and the boat is renamed ‘la Belle Marinière’ (the handsome she-mariner). During the wedding party returns Sylvestre (a handsome he-mariner) who had been away for the necessities of the script. He will now be the object of a growing interest from Marinette which results in the expected confict between the two men.Read More »

The film is Yasuzo Masumura’s last feature film, based on Mio Saito’s novel which wons him a Seishi Yokomizo Award, shot by Setsuo Kobayashi, principle cinematographers of such Kon Ichikawa & Yasuzo Masumura classics as Fires on the Plain, An Actor’s Revenge, Being Two Isn’t Easy, Ten Dark Women, A Wife Confesses, Red Angel, Blind Beast, Manji, Black Express… (Indeed I think he’s responsible for the look (for example, the tight framing & deep focus) of these films). The film also boasts a fabulous cast, including Tetsuro Tamba, who seems uncredited.Read More »

From Time Out Film Guide
There is something to be said for Liliana Cavani, but it is difficult to remember what it is. The cruelty of her Night Porter was ruined by sentimentality, and Beyond Good and Evil managed to conflate Nietzsche and Robert Powell in a ménage à trois. Beyond the Door is the usual mix of cheapjack sentiment, cutprice Freudian familial relations, and a baffled cast running way over boiling point. Giorgi (a madonna face) keeps her stepfather Mastroianni (or maybe he’s her father) in a Moroccan prison after faking evidence against him over her mother’s death, so that she can keep her claws on his body, which she desires far more than the American oilman (Berenger, looking like a young Paul Newman) who desires her like mad but can’t understand what’s going on here. Read More »

About a girl growing up in a big city in the seventies. She cultivates her artistic ambitions. After a series of relationships, she gets a small part in a play and becomes pregnant. (from IMDB)Read More »