Synopsis / Review from CINEUROPA:

With only four feature films to her name over the past 30 years and a propensity to always go where you don’t expect, from the rural drama of Peaux de vaches (discovered in the Un Certain Regard section at Cannes in 1989) to high-level horse riding in Of Women and Horses [+] (screened on the Piazza Grande at Locarno in 2011) and Mme de Maintenon’s ruthless gynaecium at the end of the seventeenth century in The King’s Daughters (also screened in the Un Certain Regard section in 2000 and nominated for a César Award for Best Film). Read More »

Synopsis:
A documentary that shocked many viewers at the time of its release, this film presents scenes from across the globe that feature strange rituals. Animal slaughter and bizarre religious ceremonies are among the many events in the movie, which also exhibits cuisine that is highly unconventional to the Western palate. The collage-like production covers a lot of ground, both literally and figuratively, in depicting unusual cultural practices from around the world.Read More »

Quote:
An Iranian man drives his truck in search of someone who will quietly bury him under a cherry tree after he commits suicide.Read More »

Plot: Min owns the waterfront hotel where Bill, the captain of a fishing boat, lives. Also living and working in the hotel is Nancy, whom Min took in some years ago as an abandoned girl. Now that Nancy is older, the truant officer and the police think that she should be moved to a different environment, and Min is torn between her attachment to Nancy and her concern that the waterfront may not be the best place for a young woman. Matters are brought to a head by the sudden re-appearance of Belle, Nancy’s disreputable mother. Written by Snow LeopardRead More »

A spy commits a burglary where an orgy is taking place.

Some information from Lasse Braun: The Official Website:
In February 1977, while LB was shooting some movies in London, his archive cellar was flooded, but since no one knew about that secret locations and the use of it, LB discovered the disaster when it was too late. […] Water and mud had flooded into the archive areas from an adjacent cellar belonging to other people through a breach in the dividing brick wall. Unknown thieves had obviously entered the LB cellar and stole all the paintings and valuables, which were placed above the crates with the film material. Read More »

From rogerebert.com

Claude Sautet makes movies the way people live – he traces the connections between the mistakes, and celebrates the occasional victories. His movies aren’t tightly plotted, and we never have the feeling that his characters are doing something because the screenplay says they must. Sautet’s people take their chances like the rest of us.Read More »

Quote:
At the heart of Kira Muratova’s newest film, The Tuner (Nastroishchik, 2004), is her characteristic and enduring love of predation—predation for its own sake. Of course, any talk of “the heart of Muratova’s work” is a judgment of anatomy rather than sentiment, as any admirer would attest. With The Tuner, she has produced an extraordinary new film that offers a complex assessment of the human subject, civilization, and the creative act.Read More »

Quote:
A writer, Kamouraska is based on a real nineteenth-century love-triangle in rural Québec. It paints a poetic and terrifying tableau of the life of Elisabeth d’Aulnières: her marriage to Antoine Tassy, squire of Kamouraska; his violent murder; and her passion for George Nelson, an American doctor. Passionate and evocative, Kamouraska is the timeless story of one woman’s destructive commitment to an ideal love.Read More »

Minimal in budget as well as in style, form, and content – the entire production is said to have cost a mere $10,000 – this black-and-white 16 millimeter tragicomedy was shot by two UCLA film students chiefly on and around their own campus. Both filmmakers play themselves in the movie, as do all the other characters; the slender plot is a literal restaging of events that actually happened, with everyone re-creating his or her original role. A single subject – Zahedi’s unrequited love for, or infatuation with, Erin McKim over the space of what appears to be two or three months – is the focus of practically every scene and shot.Read More »