Walter Francis (Bill Morrison) and Jerry Peoples (Ralph Tyler), two characters from Mutual Appreciation, share a visit at the Peoples’ home in the countryside.Read More »

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Seidl takes his camera to an abstract-art exhibition and asks the public to comment on what they see. Some analyse the work from a strictly Freudian angle as they nibble their canapés; others can only see penises. In reality, the paintings are simply an excuse for Seidl to unmask the anguishes, fears, suspicions and sexual taboos of gathered together there.Read More »

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Whether in the countryside or on the edge of the city, amusement parks or fun fairs are hot across Europe. Their names, amusement parks and fun fairs, say it all: People want to be amused, they want to have fun. For example, at the Europark in southern Germany a dummy with a contorted face sits in an electric chair. Smoke comes out of him and a light flickers off and on from out of the roasted “brain” of the dummy, which shudders and cries in pain. A film on the culture of amusement in today’s “leisure” society.Read More »

Ten years in the making, Kazuo Hara’s three-and-a-half-hour-long epic is a longitudinal study of asbestos victims demanding reparations from a heartless state. Hara records the eight-year struggle of the plaintiffs and their lawyers. A dogged and dramatic depiction of their intense battle.Read More »

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The Last Real Men (Die letzten Männer) is an hour-long piece following the Viennese teacher Karl S. on his search for a wife who doesn’t question traditional gender roles and “doesn’t talk back”. In so doing, Seidl probes the motives that make Austrian men look for wives in Thailand and the Philippines.Read More »

A 1997 TV film. Two descriptions:

“Main character of this movie is Rene Rupnik, a former math teacher. He is forty years old and lives together with his mother in a desolate block of flats. Ever since his early youth women with big breasts have fascinated him, because they symbolise a kind of earth mother to him. He has never had an especially close relationship with his own mother; she was too ‘bony’ for him. Object of Rene’s fantasy is the actress Senta Berger, to him everything a woman should be. Standing by the blackboard and explaining the mathematical laws of sine and cosine (‘sinus’ is bosom in Latin), Rene sings the praises of the female curves and those of Santa Berger in particular. Filmmaker Ulrich Seidl let the former teacher speak freely about his obsessions and desires, intercutting his monologues with scenes from the protagonist’s day-to-day life.”Read More »

Hollywood 1950: The successful producer Larry O’Brian arrives in Los Angeles to found a motion picture company. He buys an old studio which was unused since the days of silent movies. He’s shown the office where the famous director Franklin Farrara was shot. The case hasn’t been solved until now, although there were many suspects. O’Brian becomes fascinated by the subject and wants to shoot a movie about it. He investigates himself and soon gets into danger himself. Written by Tom Zoerner Read More »

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Private investigator Nick Popodopolis (John Leslie) has a problem: there’s a corpse of a beautiful woman (Juliet Anderson) on the floor of his office. As he explains his case to an alcoholic lieutenant (Cameron Mitchell), a strange story of blackmail, mystery and murder unfolds, all centered on an enigmatic movie star, Dixie Ray (Lisa De Leeuw).

Anthony Spinelli’s big budget WWII era set noir ranks as one of the last truly ambitious X rated movies ever made.Read More »

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With stars like Angie Stardust (also music credits), Judith Flex, and Joaquin La Habana, director Rosa von Praunheim has fashioned a film about the teeming flip side of life in Berlin centered on eccentric characters of almost every imaginable sexual orientation, or disorientation – most are American performers drawn to the city of “lost souls” as a place where they can give full rein to their creative natures.Read More »