
Over the course of a decade, a young woman becomes increasingly dysfunctional due to undiagnosed mental illness, or perhaps to drugs, while her more stable friend sometimes tries to help, sometimes backs away to preserve herself.Read More »

Over the course of a decade, a young woman becomes increasingly dysfunctional due to undiagnosed mental illness, or perhaps to drugs, while her more stable friend sometimes tries to help, sometimes backs away to preserve herself.Read More »


Quote:
To Lavoisier Who Died in the Reign of Terror (1991) is a collaboration with filmmaker Carl Brown, who specializes in homebrewed chemical film development. In a series of tableaux, people perform everyday tasks — sleeping, dining, reading, card-playing — as the camera arcs past and over them (the replete set of positions recalls La région centrale’s movements). Brown abraded the film stock, creating a continuous dynamic surface-effect tension with the comparatively static views and cueing the soundtrack, the crackle of fire. The physics and chemistry of combustion were the scientific focus of Lavoisier, the 18th-century savant.Read More »


Synopsis
In 1950, 28-year-old outlaw Salvatore Giuliano is found gunned down in a Sicilian courtyard. Little is as it seems. The film moves back and forth between the late 1940s, when Giuliano and other reprobates were recruited by separatist politicians to do their fighting, and the days leading up to and following Giuliano’s death. After Sicily’s self-rule is declared, will the outlaws be pardoned as promised? And why does Giuliano order his gang to fire on a peaceful May Day rally? Police, Carabinieri, and Mafia have their uses for him. There’s a trial after his death: will the truth come out or does the code of silence help protect those in power? (IMDB)Read More »


Quote:
Based on a book by Dr.Harold Greenwald: The Call Girl a Social and Psychoanalytic Study. This film tells the story of a girl (Anne Francis) who becomes a high priced call girl. She is exploited by her madam (Kay Medford) until she finds a tough yet caring therapist (Lloyd Nolan) and straightens herself outRead More »


Synopsis:
An unknown future. WWIII extends. Jean-Marie Despres, a prestigious surgeon, broken by life and his divorce supervises a field hospital, a few kilometers from the front. He meets the young and beautiful nurse Harmony. She is an idealist, she gives him hope.Read More »


At the start of World War II, Cmdr. Ericson is assigned to convoy escort HMS Compass Rose with inexperienced officers and men just out of training. The winter seas make life miserable enough, but the men must also harden themselves to rescuing survivors of U-Boat attacks, while seldom able to strike back. Traumatic events afloat and ashore create a warm bond between the skipper and his first officerRead More »

Quote:
A shipwrecked World War II sailor comes to the rescue of two American nurses held in the clutches of a twisted Nazi officer and his three female assistants on a deserted South Pacific island.
During World War 2 in a south pacific island near the Philippines, two American army nurses, Carol and Gloria, are being held captive in a Nazi camp. The base is ran by Hans von Shlemel and his two assistants, Ilsa and Greta. The Japanese also help by supplying the camp with the Japanese female guard Suke. The American Joe Murray tries in vain to break in and rescue the nurses. Hans von Shlemel punishes Joe by having him servicing Greta sexually and getting raped by Ilsa. Alas, this makes Suke lust for Joe and he uses that to seduce her and fire his way out with the nurses.Read More »

Early Yugoslavian cinema and very rare WW II partisan movie, produced by Jadran film, Zagreb.
Interesting and good movie describing the destiny of many artists, writers and intellectuals in Croatia who joined partisans in WW II.
Plot:
Story about famous ballet dancer Maria who was horrified by the terror of ustasha regime, and joined the partisans…Read More »

Two American Audiences (Richard Leacock, Mark Woodcock, 1968, 40 min., 16mm): Announcing itself as “a typical Pennebaker production of a typical Godard visit,” JLG speaks with grad students and Serge Losique at NYU in April 1968. Pennebaker: “When Jean-Luc Godard came to New York to make a film [1 A.M./1 P.M.] with me and Ricky Leacock, he was anxious to see America before the revolution broke out, torn up as it was with the Vietnam furor. Godard’s most recent film, La Chinoise, was playing, and Columbia University students, who had initiated their student uprising on the day the film opened, were pouring into the theater.Read More »