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An offbeat, wryly humorous look at the dilemma of a would-be suicide unable to find the right outfit to die in, examines the personal habits, socialization, and complexities of life that keep us going.Read More »

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A 65-year-old cleaning woman for a professional dancers’ exercise studio performs her job while telling us in voiceover about her life, hopes, goals, and feelings. A challenge to mainstream media’s ongoing stereotypes of women of color who earn their living as domestic workers, this seemingly simple documentary achieves a quiet revolution: the expressive portrait of a fully realized individual.Read More »

Because his finances are low and he is seeking background for a new book, author Tony Barratt and his wife Dora return to his country home in Conneecticut. While he is finding a theme for his book on the lives and customs of the local, immigrant tobacco farmers, his wife returns to New York and, alas, his Japanese servant deserts him. He meets a neighboring farm girl, Manya Novak, and hires her to cook his meals and clean his house. They soon fall in love. But, following the customs of the old country, her father has entered a ‘marriage bargain’ for her to wed a man, Fredrik Sobieski, not of her choosing.
—Les AdamsRead More »

Plain Talk & Common Sense (uncommon senses) “is a complex essay-film, a follow-up a decade and some years later to Speaking Directly, and so another State of the Nation discourse, made for Britain’s Channel Four in the year 1986-87. The work involved extensive travel around the United States, and poses an examination of just what America is/was, or what do we mean when we speak of it. Done in a series of radically different sections which collide with each other in a manner intended to provoke thinking, Plain Talk, which was made by an American and intended for American viewers, was indeed
broadcast in Britain, but somewhat predictably, not in the USA. “
–Jon Jost on his website. His website blurb used to be longerRead More »

Fernando Birri’s Tire dié (Throw Me a Dime, 1958) begins with an aerial shot of the provincial city of Santa Fe, Argentina. The association of voice-of-God narration with perspective-of-God images only reveals the full extent of its parodic intent as the narration progresses and conventional descriptive data (such as geographical location, founding dates, population) give way to less conventional statistics (the number of streetlamps and hairdressers, loaves of bread consumed monthly, cows slaughtered daily, and erasers purchased yearly for government offices). Read More »

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When Yuki finds out that her parents are separating and she is moving to Japan with her mother, she and her best friend Nina devise ways to reunite the feuding adults.Read More »

Starring Dame Helen Lydia Mirren

Elijah Moshinsky directed the BBC Television Shakespeare adaptation in 1982, ignoring the ancient British period setting in favour of a more timeless and snow-laden atmosphere inspired by Rembrandt and his contemporary Dutch painters. Richard Johnson, Claire Bloom, Helen Mirren, and Robert Lindsay play Cymbeline, his Queen, Imogen, and Iachimo, respectively, with Michael Pennington as Posthumus.Read More »

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A Cape Verdean woman navigates her way through Lisbon, following the scanty physical traces her deceased husband left behind and discovering his secret, illicit life.Read More »

Making his return to the Locarno Film Festival following the 2014 Special Mention he received in the Filmmakers of the Present section for A Young Poet [+], Damien Manivel is treating the festival to a fourth film, Isadora’s Children [+], a demanding and highly personal work which he was clearly born to direct.Read More »