Synopsis:
England is torn in civil strife as the Royalists battle the Parliamentary Party for control. This conflict distracts people from rational thought and allows unscrupulous men to gain local power by exploiting village superstitions. One of these men is Matthew Hopkins, who tours the land offering his services as a persecutor of witches. Aided by his sadistic accomplice John Stearne, he travels from city to city and wrenches confessions from “witches” in order to line his pockets and gain sexual favors. When Hopkins persecutes a priest, he incurs the wrath of Richard Marshall, who is engaged to the priest’s niece. Risking treason by leaving his military duties, Marshall relentlessly pursues the evil Hopkins and his minion Stearne.Read More »

Quote:
The time is the seventeenth century. The beggar Maryna Schuchová hides the Host in her scarf at the Communion. She admits to the parish priest Schmidt that she intended to give it to the midwife Groerová to heal her ailing cow. The young priest declares her a witch and convinces the Sumperk countess De Galle to summon the inquisitor Boblig from Edelstadt. This failed student of law sees the offer as a great opportunity. He uses torture and threats to force the women from the to testify to their meetings with the devil and learn by heart the lies he has made up for the inquisition tribunal. Boblig accuses the wealthy burghers of witchcraft as well, and so wants to seize their possessions.Read More »

Tag Quote:
Von Sternberg is a like Bach or Beethoven: he provides the performer with a form, and the performer creates the emotion and meaning, each performer quite differently, and each performer can say, “I did what he told me to.”Read More »

Quote:
An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist’s gofer. He’s happy there, but a messenger arrives to bring him to Arizona for his uncle’s wedding. It’s a ruse to get Axel into the family business. In Arizona, Axel meets two odd women: vivacious, needy, and plagued by neuroses and familial discord. He gets romantically involved with one, while the other, rich but depressed, plays accordion tunes to a gaggle of pet turtles.Read More »

An experimental rehearsal film about the 21 years of dictatorship in Brazil.Read More »

Quote:
Aravindan’s finest b&w film chronicles three days with a circus in a small town in Kerala. A series of high-angle shots, as the circus drives into its new location, introduce us to the village. Several sequences use a remarkable quasi-documentary effect combined with minutely choreographed action e.g. the sunset as the manager (Gopi) directs the raising of the big top. The episodic film tells of a soldier who befriends the circus strong man in a toddy bar and shows how the bizarre characters from the circus including the dwarf merge with the local populace.Read More »

Before Le Pont du Nord Rivette films Paris s’en va, a short film of approximately 25 minutes. He works with the same actors and the same technical team on both films. Henry Chapier who produced the short: “At the beginning of the ’80s nobody was interested in Rivette’s highly imaginative project Le Pont du Nord. Therefore Rivette came up with a kind of ‘transposition’ of the themes of Le Pont du Nord in the shape of Paris s’en va. Just like a painter in the Renaissance who does a sketch for a future project.”Read More »

Quote:
Kaoru, a woman in her 30s, is married to an older, blind and apparently mute man, whom she cares for in a house in a small coastal town on the Izu Peninsula. She claims to be dependent on him, but what binds them does not seem to be love. In her wandering, Kaoru discovers the bar of an association.Read More »

Quote:
In a small town outside of Barcelona, Spain, José Maria is a teenager with a big problem, he imagines that he is really a woman. While he begins to show his desire to be a woman through his appearance, the reactions within his household make things more difficult for him. His rude father is a male chauvinist who, afraid of his son’s softness, puts him to work chopping wood. Then, his father takes him to a cabaret show, to expose José Maria to women. However at a show, José Maria is exposed to a dancer named Bibi, who is a transgender woman, for the first time.Read More »