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Film directed from the play Orpheon, directed by François Tanguy, played by the Compagny of Raft.Read More »


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Film directed from the play Orpheon, directed by François Tanguy, played by the Compagny of Raft.Read More »

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Back in the 80s, Roger Ebert derisively referred to slashers as “Dead Teenager Movies,” so the title Dead Kids feels like a nice thumb to the eye. Even if it isn’t, it’s still a fucking great title that tells you all you need to know: there be dead kids here (and of course, American distributors got squeamish and renamed it Strange Behavior). An Ozploitation flick by way of New Zealand, Dead Kids is a deceptive entry in the slasher cycle since it merely poses as a typical splatter film before setting off on its own tangents. Per usual, you can’t expect Australians to do anything straightforward. We love them for that, though.Read More »


Minne is a very imaginative young lady. She pretends to have had lovers and can’t think of anything better to do other than… to tell Antoine, her husband, the day she marries him. Bad beginning for the couple… As the marriage is not consummated for years, Minne feels frustrated and tries to find elsewhere the carnal knowledge she does not find at home. But Antoine is a kind-hearted man and on the occasion of a trip, a sexual balance is at last found between the two partners.
– Written by Guy BellingerRead More »

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Set in 1935, a couple of aged smallholders are waiting for their son, for rain, for better days.
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Paz Encina was born in Asunción, Paraguay and earned her M.A. from the Universidad del Cine in Buenos Aires. She has directed several award-winning short films, including La Siesta (97), Los Encantos del Jazmín (98) and Supe que Estabas Triste (01). Hamaca Paraguaya (06) is her feature directorial debut. She has won FIPRESCI Prize At Cannes Film Festival In 2006 for this film.Read More »

Captain Sindbad was based on an Arabian Nights story, was filmed in Germany, and starred an American leading man (Guy Williams), a German leading lady (Heidi Bruhl) and a Mexican villain (Pedro Armendariz). How’s that for cultural diversity? Anyway, the story involves Sindbad’s (Williams) efforts to enter the impenetrable castle where the evil El Kerim’s (Armendariz) heart is being kept. So long as his heart is outside his body, El Kerim is invulnerable, enabling him to be as wicked and despotic as he chooses. Sindbad comes to the rescue just seconds before the heroine (Bruhl) is about to be crushed to death by an elephant. Despite the mortality rate on both sides, Captain Sindbad is pure kiddie-matinee stuff, adroitly put together by director/cinematographer Byron (War of the Worlds) Haskin and boasting top-notch special effects. allmovieRead More »


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Set in a surprisingly minimalist San Francisco, Patrick Tam’s stylish slasher movie manages to evoke both Antonioni and Mario Bava in this tale of a ravishing young co-ed (Brigitte Lin) whose studly boyfriend (Chang Kuo-chu) turns into a demented stalker after the suicide of his sister.Read More »


Plot
When an injured wife murderer takes refuge on a remote Lancashire farm, the owner’s three children mistakenly believe him to be the Second Coming of Christ.Read More »


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A Congo rebel leader is captured and imprisoned with two white felons in this 81-minute feature containing religious symbolism and condemnation of colonial exploitation. Maurice Lalubi is thrown in jail with a soldier and an Italian thief. The trio endures torture at the hands of their captors, while a newly formed military regime decides the fate of the insurgent. The entire horror of the confrontation is seen through his eyes throughout Lalubi’s interrogation and torture. His imminent demise could turn him into a martyr and spell trouble for the new government dictator in this sometimes violent film.Read More »

The conflict between the generations is a recurring theme in the cinema of Claude Sautet. Often as not, it is peripheral to the main drama, but in Un mauvais fils it is absolutely central, the lightning conductor in a raging emotional thunderstorm. The fraught relationship between a middle-aged father and his estranged son Bruno is mirrored by one of a gentler hue, that between a gay bookshop owner and his attractive employee Catherine, who is his adopted daughter in all but name. Bruno appears to have more in common with Catherine, a perfect stranger, than with his father, and so whilst one relationship withers, another flourishes.Read More »