Lynne and her friend John shot this film with a Regular 8 camera on a roof in San Francisco, literally creating a “drawn and quartered” image. Mostly, they each exist in their own private domains, separated by the barrier of the film frame. Sometimes, however, one person dares to intrude upon the pictorial space of the other.Read More »
A nightmare creature haunts a young girls dreams. Her friends refuse to believe her when she tells them that the fiend has entered the real world and they are all to die a horrible death. Soon her fears start to come true.Read More »
A turbulent and intriguing love story between two parking officers in the city of Los Angeles.Read More »
Like its predecessor (De l’origine du XXIe siècle), The Old Place examines the role of art in history, only this time in still rather than moving images. Says Michael Althen of this piece, commissioned by the New York Museum of Modern Art in 1999, “[T]he aim is not to give an overview of art history but to cut a path through the forest by asking how art relates to reality and its horrors.” Throughout its mid-length duration, reflections on art and its traces cross swords with future-oriented impulses. The questions it poses are not meant to be answered, but taken as wholesale embodiments of cultural memory, which tends to account for reality via myths and legends. As in the opening image of a monkey dangling from a tree, it is dependent on the presence of gravity to give hierarchical sensibilities a grounding from which to suspend our inhibitions.Read More »
A tough district attorney has been cleaning up the town, and has already imprisoned twelve dangerous criminals. As he is about to name the target for his next investigation, he is murdered in the midst of a crowd. The police have many suspects
and hardly any clues, so two reporters decide to investigate for themselves.
(Written by Snow Leopard)Read More »
In post-WWII America,Radar has been developed to such an extent that law enforcement agencies, seated in their headquarters, can twist a few dials and bring in, on a small television screen, a crisp picture of a roving stock-footage truck carrying uranium material, highly coveted by foreign powers in order to make atomic bombs and blow up the U.S.A. This advanced version of Radar can follow the car occupied by the crooks out to hijack the truck, and also the police car pursuing them after they hijack the truck. But, alas, this can only be done when the atomic material is in motion, and has little value when the crooks park the truck. So the lawmen have to send in a female mole posing as a moll.
(from IMDB)Read More »
SYNOPSIS:
William Klein goes on the hunt for Little Richard, the legendary “Architect of Rock and Roll”, who quit show business in 1957 at the height of his fame to become an evangelist. Richard was then lured back to secular music in the 1960s and 70s, but the excesses of stardom led him to a second retreat from the stage. For years he struggled to reconcile his religious calling with his flamboyant rock-and-roll persona, and at the time of filming, Klein finds Little Richard selling “Black Heritage Bibles” for a Nashville couple. Sensing that his image is being exploited, Richard quits his sales position and deserts the film. But Klein turns this into an opportunity to reconstruct Richard’s personality through the words of his family and friends in his native Macon, Georgia, and to celebrate his status as a cultural icon by filming scores of Little Richard impersonators and adoring fans in Hollywood.Read More »
Quote:
Over a period of 35 years between 1984 and 2019, Lynne Sachs recorded 8mm and 16mm film, analogue videotape, and digital images of her father, Ira Sachs Sr., a bon vivant and pioneering businessman from Park City, Utah. Ostensibly a documentary portrait of a parent, Film About a Father Who . . . reveals as much, or more, about patriarchal silences and omissions than about the subject himself, who remains enigmatic throughout. “My father has always chosen the alternative path in life, a path that has brought unpredictable adventures, nine children with six different women, brushes with the police, and a life-long interest in trying to do some good in the world.” It is also a film about the complex dynamics that conspire to create a family.Read More »
Plot: Hans Muller is a Jewish refugee from Germany. Relocating to Israel after World War II, he can not overcome the psychological effects of the war. After attacking a policeman, Hans becomes a fugitive, traveling through Israel with a teenage boy.Read More »