“Based on Denis Cannan’s 1966 protest play on the Vietnam war ‘US’ which Brook directed for the Royal Shakespeare Company, the film adaptation is a fascinating insight into how Vietnam was lived in London at that time.
As a young couple search for the truth about the conflict , we are shown a mixture of opinion from a number of artistic and intellectual communities together with sequences about Vietnam revealing the complex and often comic contradictions between belief and reality. With songs by Adrian Mitchell, the cast includes Kingsley Amis, Glenda Jackson, Paul Scofield and Peggy Ashcroft.” – The BarbicanRead More »

Quote:
An opera ballet that doesn’t exist. A ghost-like piece, played in Opera Bastille and danced at Opera Garnier, An almost mystical link between both scenes, A musician is testing sounds in Bastille’s pit, The choir are taking their place in the rehearsal studio, Both sides are fine tuning the work in progress of an opera ballet : SARAH WINCHESTER, her grief, her madness, her home and her ghosts.Read More »

A police detective tries to investigate the mystery of a victim who was shot in the head, but no bullet was found. From the Sunday Horror Series.Read More »

Standard Time is 8 minutes and feels, hypnotically, like a time-less segment fragment of life.(Life-physical movement in a space/time enclosure). The camera swivels (pans) left to right, over and over again, then tilts, up and down, over and over again establishing movement as such as the given conditions of perception and existence. This suspended tension of being holds for both the cameraman and the spaces/walls/objects/(people?)…The film establishes each viewer’s autonomous sense of self. The bombarding impulses, through the ‘repeated’ pans/tilts, permit (for each viewer, each time) different moments of reality to become relevant, exciting etc. The speed at which the camera sees the given visually creates frustration at not being able to hold (the) experience, to pattern it in a conventional manner. Michael Snow’s film activates one’s internal mechanisms for grasping, (idiosyncratically, in time), the substances one is faced with, a negates objective experience once and for all. In terms of the politics of experience and human consciousness, few films could be less fascist. Standard Time is also a beautiful ‘8’ minutes. – Peter Gidal.Read More »

Synopsis:
Paris, 1865. Octave Mouret is a young man filled with great ambitions. He is also a consummate Don Juan and it his talent for seducing members of the opposite sex which he intends using to make a rapid ascent of the social scale. He finds work as a salesman in an upmarket drapers’ shop, Au Bonheur des Dames, and soon makes a positive impression on his employer, Madame Hédouin. When the latter repels his amorous advances, Octave resigns and finds work with a rival shop managed by Auguste Vabre, the weak-willed son of his landlord. When Auguste discovers that Octave is having an affair with his wife, Berthe, he challenges him to a duel…
— James TraversRead More »

Gianni is a middle-aged man living in Rome with his imposing and demanding elderly mother. His only outlet from her and the increasing debt into which they are sinking, are the increasingly frequent quiet sessions at the local tavern. As an Oriental saying goes, ‘Moments of crisis are moments of opportunities’. These appear during the celebration of the holiday of Ferragosto on 15 August. That’s when everybody leaves town to have fun. Opportunity knocks on Gianni’s door in the most unexpected way. (IMDb)Read More »

Having recently escaped the clutches of a hippie sex cult, a beautiful model is pursued by a serial killer whose previous victims include former occupants of her new apartment.Read More »

Synopsis:
Foster Kalt, a famous toy inventor in the 1970s, reflects on his lifelong obsession with Sylvia Frank. From his first meeting with Sylvia in a New York Hotel Room in 1968, to years later when he is stalking her from a cabin in the woods, the puzzle pieces of Kalt’s obsession come together to form his latest, shocking invention.Read More »

Synopsis:
In a small spanish town, a group of old ladies decide to celebrate Christmas Eve with a “Sit a poor man at your table” dinner: each wealthy household of the town will have a homeless person dining with them that night. The celebrations also include a parade, and in it we find Plácido, the humble owner of a three-wheeler, whose family is forced to live in a public lavatory because of the lack of money to pay the rent, and who has to pay the second bill of his vehicle before midnight or else he will loseRead More »