Quote:
A biting comedy concerning the lives of two young people who meet one day in a house in Brno in order to put their ideals of love into practice. A story about a couple not yet prepared for sexual life and a renowned actor no longer in his sexual prime.Read More »
letterboxd:
The film is an adaptation of Henrik Ibsen’s play A Doll’s House. The film uses Ibsen’s alternate ending where the unhappy couple are reconciled at the end.Read More »
An elderly and retired police detective and a young amateur sleuth team up to find a serial killer whom has resumed a killing spree in Turin, Italy after a 17-year hiatus.Read More »
Plot & review:
From a successful 1940 theater comedy by Eduardo De Filippo.
Ferdinando Quagliuolo has inherited the management of a Lotto agency after the death of his father. He is also an avid player in search of winning numbers, in spite of his great bad luck.
One of his employees, Mario Bertolini, by contrast, gets winnings on winnings, prompting a fierce envy in his employer.Read More »
Synopsis:
When a brash movie theatre owner needs usherettes for his Budapest cinema, he recruits young Luisa Ginglebusher from a nearby orphanage. Encouraged by her kindly guardian to “spread your wings,” Lu naively embarks on her quest to live the life of a fairy tale angel. Quickly encountering the debonair wolves that roam the sidewalks of Hungary, Lu randomly chooses a man to play the role of her husband: Dr. Max Sporum, a humble and idealistic lawyer. As Lu’s simple ruse grows hopelessly complicated, the dreamy-eyed girl refuses to abandon the charade, determined to evade one suitor’s wiley grasp, provide Max the prosperity he so deserves, and allow the opportunity for true love to enter her life.Read More »
quote:
A slickly made and occasionally creative action drama, of the thoughtful sort they seldom make anymore. The hero of Philip Noyce’s 1978 Australian film is a newsreel cameraman, a device that allows Noyce to cut between stock shots and new footage, black and white and color, and historical and personal events. The montage sometimes makes good drama and good sense, but at other points the intent is every bit as obscure as the Australian politicians the film constantly alludes to.Read More »
Stunning photography and Don Siegel’s direction make the most of an unusual overly melodramatic story starring Ronald Reagan as a scientist with epilepsy who goes to south Florida on doctor’s orders and meets a young woman, (Viveca Lindfors) recently widowed, who is haunted by the voice of her dead husband. Reagan rents her slightly dilapidated beach mansion and experiences several epileptic episodes, but tries his best to keep his condition a secret. Broderick Crawford’s role as an artist who lives close by verges on annoying as he goes on and on about art and life. Ossa Massen gives the film a boost as Lindfor’s scheming, jealous sister who tries seducing Reagan and later drunkenly blurts out his secret when she realizes that she can’t have him. The concluding hurricane arrives just in time, with all the main characters assembled for dinner in the creaky old mansion, and Reagan pushed to verge of suicide by the shame of his medical condition, while Lindfors begs him to reconsider.Read More »
IMDb wrote:
Antoine helps two former acquaintances escape the country, who repay him with a debt transfer. All he has to do is collect from some Léonard Michalon, but for that he will have to go into much trouble to keep the man alive.Read More »
One of 1941’s trio of great satires about filmmaking in Hollywood (along with Sullivan’s Travels and Hellzapoppin’) and probably the craziest of the lot. W. C. Fields wrote the story himself (under the pseudonym Otis Criblecoblis) and the film, which is coincidentally about W. C. Fields peddling a script he wrote himself to a frustrated studio boss (Franklin Pangborn), is probably the purest expression of his comic sensibility, starting with the iconic title.Read More »