• Alejo Moguillansky – Por el dinero (2019)

    2011-2020Alejo MoguillanskyArgentinaArthouseComedy

    Quote:
    “We were workers of luxury. And nobody was rich enough to pay us. We had to be at the same time the actor and the documentarist. We had to be at the same time the painter and their muse. The poet and the landscape. The rifle and its prey. The rider and the horse. Don Quixote and Cervantes at the same time.” A miserable Argentine troupe of actors, dancers, musicians, film-makers and a girl embark on a theatre tour to some country, probably in Latin America. If ever love and money were irreconcilable, Por el dinero is the story of that tragedy. Read More »

  • Carolee Schneemann – Kitch’s Last Meal (1976)

    Carolee Schneemann1971-1980DocumentaryExperimentalUSA

    Quote:
    Kitch’s Last Meal is a film project in which the artist documented the quotidian experiences of her life in rural New York with her partner, English filmmaker and artist Anthony McCaIl and, and their cat Kitch. Schneemann explained that the film was “based on the continuous textures of a shared daily life of a couple – both artists – living in the country.Read More »

  • William Rotsler – The Godson (1971)

    USA1971-1980CrimeEroticaWilliam Rotsler

    Marco is the ambitious godson of a crime boss. His attempt to quickly rise to the top leads to his downfall.Read More »

  • Eliseo Subiela – No mires para abajo AKA Don’t Look Down (2008)

    2001-2010ArgentinaDramaEliseo SubielaRomance

    Quote:
    After claiming to be visited by his dead father’s ghost, a young man with sleepwalking problems (Hugo Arana) enters into a sexual relationship with the neighborhood hottie (Anotella Costa), a spiritual-mystical type who’s all too willing to be his guide through the Kama Sutra, as well as to teach him how to hold in his wad past 81 thrusts. Eventually, Arana discovers he can materialize in far-off lands when he bones — as though sex were the spice from Dune. (Sample post-coital line: “Venice is incredible!”) This, mind you, is basically played for giggles, with writer-director Eliseo Subiela maintaining a gentle dreamy-absurdist tone that feels like Buñuel minus the anticlericalism (if that makes any sense). Cheerfully inscrutable, with a deftly sustained, calmly deranged performance from Costa, it unfortunately can’t figure out an ending and so just stops. There’s a sexual metaphor for that condition, right?Read More »

  • April Wright – Going Attractions: The Definitive Story of the Movie Palace (2019)

    USA2011-2020April WrightDocumentary

    The evolution of the movie business over the past century, from penny arcades and nickelodeons, to the grand movie palaces built by the studios, and what happened over the years as they were challenged by television and cell-phone cinema.Read More »

  • Manijeh Hekmat – Bandar Band (2020)

    2011-2020DramaIranManijeh HekmatMusical

    Quote:
    After a long time, some Iranian women singers are going to enter an unofficial competition in a coffee shop in Tehran. Pregnant Mahla along with the other members of Bandar Band, her husband and one of their closest friends, starts her journey to Tehran from a southern province just when they have lost all they had in the flood. They still keep their hopes alive, however every road they take leads to a dead-end in a flood-stricken land. They intend to go to Tehran, but they wonder if it is just another turn around a vicious circle. —Anonymous from IMDBRead More »

  • Yûzô Kawashima – Bakumatsu Taiyoden aka Sun in the Last Days of the Shogunate AKA The Sun Legend of the End of the Tokugawa Era (1957)

    1951-1960ClassicsDramaJapanYûzô Kawashima

    Synopsis:
    Set in the last few years of the shogun’s rule, this period/ensemble movie depicts the lives of the young and the restless at a whorehouse. The protagonist is Saheiji, a resourceful, witty free spirit. It’s 1862, 6 years before the Shogun turned his political power over to the Emperor. Penniless Saheiji splashes out at a famous Shinagawa whorehouse. He’s forced to stay on at the whorehouse to repay his debt. At first Saheiji is regarded as an unwelcome guest who never leaves but it turns out he is not just a poor grifter. None of the whorehouse’s guests, hosts, servants and attending ladies are innocent but they are pragmatic schemers. Saheiji soon endears himself to them all and solves many whorehouse disputes with his wit. But it is slowly revealed that the seemingly perfect Saheiji is suffering from tuberculosis and his future is uncertain…Read More »

  • Patrice Chéreau – Ceux qui m’aiment prendront le train AKA Those Who Love Me Can Take the Train (1998)

    Patrice Chéreau1991-2000DramaFranceQueer Cinema(s)

    Quote:
    In the twilight of his life, Jean-Baptiste, a painter who has always lived in Paris, says he wants to be buried in Limoges: “Those who love me can take the train”. So begins a sad, wild and marvellous journey which unites all the people that he had touched during his lifetime – his lovers, lovers’ lovers, ex-lover’s new wives, old friends, casual acqaintances, and relatives. But their shared mourning cannot conceal the heartbrakes, rivalries, jealousies and passions wich all simmer to the surface and will – over the course of the journey, funeral and wake, reach some kind of resolution.Read More »

  • Richard Brooks – Wrong Is Right (1982)

    USA1981-1990ActionCultRichard Brooks

    Patrick Hale (Sean Connery) is a slick television journalist with impressive ratings. When Hale travels to the Middle East to interview a prominent member of Arab royalty, he gets entangled in an intricate plot that involves the American president (George Grizzard), a terrorist group, nuclear devices and possibly even global war. Before long, the CIA, a high-powered arms dealer and religious zealots are involved, giving this dark comedy plenty of satirical fodder.Read More »

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