Based on a polemic novel by Amy Yamada, Bedtime Eyes is about the intense love relationship between a second rate Japanese jazz singer and a black American GI on the margins of the law.Read More »

Jonathan plays a game called Gotcha in which he hunts and is hunted by other students with paint guns. After a big win, he goes off for a vacation in France where he meets the sexy Sasha who says she is only interested in him because he is a virgin. She takes him with her to East Germany where they are separated and he has to escape back to the west on his own, all the while being trailed by East German spies. He arrives home only to find the game is still going on, and a canister of film is in his backpack. Then Sasha re-appears.Read More »

Synopsis:
The circus artist Leni Peickert is planning the circus of the future. She wants to show the animals authentically, and not dressed up as people. In face of the inhuman situation, the artists are to increase the degree of difficulty in their work. But her plan goes awry. Leni Peickert approaches a television company, seeing a knowledge of this special technology as a more suitable basis for her attempt to change the world.Read More »

Written by Thomas Simmons (IMDB)

An English soldier (Cliver) returns home from the Zulu war with the daughter of a tribal king (Gemser) as his slave (a gift that he was given for “saving” the kings life). The spoils of war, ya know? While he’s been gone, his wife has been having an affair with the female housekeeper (Belle). Not at all pleased with being a slave, the Ebony princess notices the mistress of the house engaging in a quick bit of foreplay with the housekeeper and plots her revenge starting with the seduction of the mistress. Jealousy spreads like wildfire and before you know it, she has turned the household into a lustful frenzy of sex and hatred. I can’t give away too much more or it would ruin the story, but there are plenty of little twists along the way. Speaking of twists, this film is actually far more twisted than it sounds. One of the more disturbing moments being a sequence about the filming of an inquisition-themed porno that turns into the sadistic rape of a lesbian / virgin by the filthy and none too bright gardener. Sporting tons of full-frontal nudity, simulated lesbian and straight sex and some hard-core (as seen in an old stag film), this has the sleazy goods to go along with the D.H. Lawrence-ish setting and atmosphere, and is definitely recommended for fans of such. Read More »

In September 2009 we formed a collective and we called us lacasinegra. We didn’t know exactly how, or in which way, but we just knew we wanted to make films. In our way we did different projects, audiovisual pieces, and a blog in which we thought, argue, and call into question ourselves. Us and the others. Pas à Genève is our first feature film but it is also the conclusion of this path, of the doubts that struck us as a collective, as filmmakers and as members of our generation.Read More »

Life Doesn’t Scare Me, follows four friends – Emilie (Woch), Ines (Molinier), Stella (Parmentier) and Marion (Rousselet) – as they progress through their school years discovering romance and heartbreak together.

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Review Summary
In this adventure, a remake of Singapore (1947), a hero finds a bracelet containing 13 precious gems while visiting Istanbul. He soon finds himself pursued by covetous crooks who want those jewels. He is then deported by the Turkish authorities, but not before he has time to hide the bracelet in a hotel. Five years later, the man returns to seek out the stones. Again he is pursued by both authorities and criminals. He must also contend with the reappearance of his wife whom he thought had burned to death on their wedding night. She lived but suffered amnesia. She then remarried. Nat “King” Cole sings “When I Fall in Love”. Read More »

Quote:
Nicky Hamlyn is one of the UK’s key artist filmmakers of the past 30 years, working in 16mm film and video, he has produced a large body of both single screen work and installations in both media. His current practice has two distinct concerns, based on the medium he is using. In much of the film work he has been concerned with developing structures that are derived as closely as possible from the form of the subject matter. In recent years the subjects have been predominantly architectural, but also topographical. He often works frame by frame, in the manner of an animator, and this approach acknowledges the importance of the individual frame as a building block for bigger structures. The aim in establishing a reciprocal relationship between the film frame, the framing edges and the subject’s formal properties, is to eliminate subjective decisions about framing and allow given parameters to have a determining effect. Much of the video work, by contrast, explores the spontaneous interactions between complex events, such as the swirling movements of layers of net curtain, and the video technology used to record process the data it receives. This DVD makes available for the first time his major film and video works from the past 38 years and is accompanied by new essays by Simon Payne and Federico Windhausen.Read More »

The traditional nature of this kaidan, or Japanese ghost story, is underscored by the fact that it is based on a tale by Encho Sanyutei (1839-1900) — an author and performer of the late Edo-early Meiji period. His popular story “Botan Doro” has been the subject of some 18 film adaptations, this one being the first of the “modern” period. Sanyutei’s story was itself an adaptation of a traditional Chinese folktale that has a long history of re-telling and performance, especially in the form of kabuki theatre. It entered Japanese culture in the 1600s and became one of that country’s most loved kaidan, fusing romance, sexual politics and terror into an emotionally potent drama.Read More »