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As the human species adapts to a synthetic environment, the body undergoes new transformations and mutations. With his partner Caprice, celebrity performance artist Saul Tenser publicly showcases the metamorphosis of his organs in avant-garde performances. Timlin, an investigator from the National Organ Registry, obsessively tracks their movements, which is when a mysterious group is revealed. Their mission – to use Saul’s notoriety to shed light on the next phase of human evolution.Read More »

Harry Kümel’s last major film to-date, a masterpiece of vividly operatic style and fluid camerawork. Despite being based on a 19th century classic Dutch novel, the film is less a traditional costumer (as apparently the critics took it to be) than a flamboyant fantasy on Kümel’s running theme of a vicious cycle of repeated wrong decisions and bad choices that engulf the lead character and eventually destroy her. The film displays the usual influences of von Sternberg, Resnais, Bergman, the Belgian symbolists, but creates a uniquely Kümelian feel and texture of a different reality at one remove from ours.Read More »

The sentimental battle that two men, Dany and Michele, who are fighting to conquer the heart of Manuela, a beautiful and alluring woman who has become the only person who gives meaning to the lives of both men. They are part of the same lineage and must play their cards properly with the intention of falling in love with the girl. Even so, she goes out of her way to downplay the issue every time people ask about her two suitors.Read More »

The Truth Be Told is an epic-scale documentary that follows three and half years in the life of Supinya, a media activist who was sued by the Shin Corporation for stating that the company had benefited from the policies of the administration of Thaksin Shinawatra, whose family owned the company. The documentary is snapshot of a turbulent period in Thai politics, from the Thaksin years, the anti-Thaksin backlash that arose after Thaksin sold his share in Shin to Singapore’s Temasek Holdings, and the military coup that ousted Thaksin.Read More »

Synopsis:
‘Otto Friedrich Dennert a veteran of the Essen police force is known as “The Grabber” for his unconventional methods. While investigating a series of killins of women he reaches retirement age. The case is take over by a new team, including Dennert’s son Harry. Convinced that they have arrested the wrong person, Dennert begins investigating by himself with assistance from the criminal underworld.’
– WikipediaRead More »

Synopsis:
Fantasmagoria mingles seamlessly into reality in this comic film. Oleg is being two-timed by his wife. Fortunately he is advised by well-known poisoners from history, from Caligula to Lucretia Borgia.Read More »

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A good portion of the film depicts the last days of the Russian Imperial Family in Yekaterinburg, largely narrated by Timofyev’s voice-over from the perspective of Yakov Yurovsky, the chief guard and ultimately executioner of the family. In the scenes, Yurovsky is impersonated by Timofyev (McDowell) and Tsar Nicholas II by Dr. Smirnov (Yankovsky). Other members of the family function merely as background, with few or no lines.Read More »

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Wickedly funny and observant slice of life NYC gangster pic, that’s decidedly Jewish, quirky and anarchistic. The surprise cult comedy/drama hit was shot in 1969 and put on the shelf when no distributor was willing to take a chance on it when test audiences didn’t laugh, but it was released in 1989 to play in the NYC Film Festival. Rave reviews gave this pic a new lease on life, and it got its long awaited theatrical release–only twenty years too late to help the splendid aging unknown cast advance their careers.Read More »

Plot Synopsis by Mark Deming
Acclaimed playwright George S. Kaufman made his directorial debut with this broad political satire. Senator Melvin G. Ashton (William Powell) is a long-time congressman for whom the phrase “dumb as a log” would be fitting if one were not afraid of insulting the trees. After more than twenty years of representing his clueless constituents, Ashton decides to take a shot at the presidential race, and hires Lew Gibson (Peter Lind Hayes) is his press agent. Party topkick Dinty (Charles D. Brown) considers Ashton an utterly hopeless candidate, especially after he begins making fantastic campaign promises no one could possibly keep, but Ashton turns out to be a bit more shrewd than expected. Read More »