Alpha, a troubled 13-year-old lives with her single mom. Their world collapses the day she returns from school with a tattoo on her arm.Read More »

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At a prom ball, Peter and Helen catch each other’s eyes over the children’s heads. Peter is desperate to meet Helen and follows her to Mallorca, where she plans to spend her holiday with her husband.Read More »

The adventures of a ronin, a samurai without a feudal lord, trying to achieve safety in a neighbouring domain.Read More »

SYNOPSIS:

In early twentieth-century Brittany, two peasants marry, have a son, and live in traditional Breton ways: three generations under one roof, a division of labor between the sexes, elders’ stories at night, politics and religion during their little free time. Times are hard: la Chienne du Monde drives some to suicide; Ankou (death) is close at hand. Pierre is born into this republican family, his lyric childhood interrupted by the outbreak of war and his father’s conscription. He learns his catechism and, as a child of a Reds, also reveres school. His grandfather and father often put him on their shoulders, giving him a ride on the horse of pride.Read More »

Three sisters unite with a cousin to avenge their father who was killed by a group of noblemen with ties to a criminal gang.Read More »

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Sailing ships, stars, angels and executioners The Mark of Cain chronicles the vanishing practice and language of Russian Criminal Tattoos. Captured in some of Russias most notorious prisons, including the fabled White Swan, the film traces the animus of the flowers of this carnal art by way of the brutality of its origins- the penitentiary and the criminal environment. Incisive interviews with prisoners, guards, and criminologists reveal the secret language of The Zone and The Code of Thieves of the vory v zakone. As early as the 1920s, Russian prisons and Gulag began to attract the attention of researchers.Read More »

In Chris Marker’s Studio by Agnès Varda is a rare and beautiful moment in cinema where two friends — who happen to be pioneering, legendary filmmakers from the French New Wave — meet in real life and in a virtual world. In the film, which was shot at two points between 2009-2011, Agnès Varda visits Chris Marker in his studio, a few years before his passing. She admires his magnificent mess, snooping around for details that reveal “the hidden side of Marker’s work”: a labyrinth of wires and computer equipment, a collection of images, magazines, and books, and — of course — cats. The film takes on a wonderful surrealist turn when Varda creates an avatar to meet Marker’s avatar in the online virtual world of Second Life.Read More »

The great French filmmaker René Clair crafted this elegant sepia-toned profile of Paris’s iconic landmark almost forty years after the Eiffel Tower took its first bow (at the 1889 Exposition Universelle). It clearly still fascinates and awes in this loving and playful tribute. LA TOUR takes the viewer first up and then down the mighty structure while also acting as a tribute to its eponymous designer, Gustave Eiffel. The film initially burrows into blueprints and photographs of the earliest stages of its construction ahead of the opening of the World’s Fair but Clair’s film revels in the completed structure itself, reverently scaling its heights and accompanying tourists on up through the various levels toward the topmost landing. Read More »

Pierre Tardieu, a day laborer, lives with his sick father. Reminiscing about his childhood with his mother on the beach, he can’t free himself from her. Murdering someone becomes the only way of realizing his existence. One day, he meets a pianist called Laure in a bookstore and falls in love with her.Read More »