Thomas Bernhard’s “Die Jagdgesellschaft”
Directed by Claus Peymann
Recorded in 1974 at Burgtheater Vienna

The bark-beetle has invaded the big forest of the general, just as a fatal illness has into the body of its owner. The general is suffering from eye cataract, preventing him from seeing the symptoms of the trees’ decline, just as he is unable to see his own rottening. His wife and the writer discuss these circumstances for two scenes, until the general discovers the fact himself in the third one. Now he is going to take appropriate action.
“The actors this evening were of peerless mastery. It’s impossible to imagine a better realization of this piece!” Frankfurter Allgemeine NewspaperRead More »

Jarle is 24 when a phone call rouses him from his drunken sleep. It is his mother, telling him that his father is dead. Instead of sadness, Jarle is filled with anger and a sense of relief. It forces his mind back to something he’d rather forgotten – his childhood at the orphanage in Stavanger. When “Orheim” was his surname; – set in 1980s Stavanger, this coming-of-age drama tells of Jarle’s conflicts with his alcoholic father Terje, who sees himself as the family’s “company commander”, a position which he simultaneously sabotages with his bouts of violence; and of the consolation that Jarle seeks in pop music and political commitments – and in the girls that cross his path. The Orheim Company” sensitively and compassionately depicts a conflict in generations in the shape of a boy growing up with an alcoholic father, but also an energetic story about teenage lust, pain and passion – about liberation and redemption; that many members of the cinema audience can relate to.Read More »

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Jamie is a shy teenager, often bullied at school. His neighbour Ste has a rough time at home, being beaten by his father and brother. This issues bring them together and they find that what they feel for each other is more than friendship.Read More »

14-year-old Shizuko (Mami Nakamura) dreams of drawing manga in Tokyo to escape her life of poverty and loneliness. Shizuko’s father has left the family, and her mother (Kaori Momoi) — who is desperate for money — takes in an icy, brutal lover (Michio Akiyama) who insists on being called “Father.” He is obsessed with having a “high-class” family and forbids Shizuko to draw her “low-class” manga, which he calls “trash.” When Father discovers that Shizuko has been impregnated by a schoolmate, he inflicts a brutal punishment. Her mother, unable to support the family without him, responds with drunken apathy. In self-defense, Shizuko’s creates manga characters who are gentle and caring.Read More »

Torn between a long-suffering wife and a neurotic, demanding mistress, a lawyer suffers a series of personal crises.Read More »

Howard Hawks made his first film for Columbia Pictures with this pre-Code prison movie. The great Walter Huston stars as a district attorney-turned-prison warden who gets to witness first-hand the effects of his convictions, especially Phillips Holmes, imprisoned after killing a man in a drunken brawl. Co-starring Boris Karloff, The Criminal Code is tough, no-nonsense, quintessential Hawks.Read More »

Synopsis wrote:
The Kingdom is the most technologically advanced hospital in Denmark, a gleaming bastion of medical science. A rash of uncanny occurrences, however, begins to weaken the staff’s faith in science–a phantom ambulance pulls in every night, but disappears; voices echo in the elevator shaft; and a pregnant doctor’s fetus seems to be developing much faster than is natural. At the goading of a spiritualist patient, some employees work to let supernatural forces rest.Read More »

Mixing narrative and documentary filming in a unique way the story is autobiographical and is about a date rape dissecting the characters and circumstances around it. By following the effects of the incident on the main character we grow to understand the tremendous impact of what many people don’t consider to be rape.Read More »

In an Escher-like staircase, two characters, a man a woman, move around each other, in full view of the bizarre objects in the space: an infinite clock, a miniature surveillance camera, the hose of a vacuum cleaner. The camera always chooses a subjective point of view, namely from the vantage point of one of the objects or characters, who lose themselves in a game of attraction or repulsion. A surreal universe.Read More »