Adapted by Samuel W. Taylor from his own novel, The Man with My Face is an acting tour de force for Barry Nelson. The star is cast as an accountant who returns home late one evening, only to discover that a look-alike has taken his place. So persuasive is the phony man that the real one is regarded as an impostor. Even his wife (Lynn Ailey) and business partner (John Harvey) seem to have fallen for the look-alike’s subterfuge. Accused of bank robbery, the poor man must rely on his ex-sweetheart Mary (Carole Mathews) and her brother Walt (Jack Warden in his film debut) to help him clear himself and expose his “evil twin.” The climax borrows a gimmick from an earlier “doppelganger” melodrama, The Black Room (1935). Man with My Face was filmed on location in Puerto Rico. ~ Hal Erickson, All Movie GuideRead More »

Aunt Mary is not happy with her recent marriage. Her husband always wants to go to bed, and she doesn’t like it since she was violated two years ago. Her sister’s daughter comes with a girl to spend some days in the house. Mary learns how to love both men and women.Read More »

Quote:
The story of the birth of a love between two young people, about its duration, with all the difficulties and beauty that it brings, about the extinguishing of that love due to conflicts with the exaggerated dynamics and false values of contemporary life.

The plot of this film relates to the lives of several young people from a school in Belgrade, as well as their problems. It mainly follows the life of Miloš Petrović (Gojko Drulović), who meets Višnja (Neda Arnerić). Višnja is portrayed as a very beautiful girl who likes to flirt and please people, which doesn’t suit Miloš, who is in love, because he wants to have what he loves next to him…Read More »

Quote:
For a 13-year-old boy like Filipe, (played by José Afonso Pimentel) the prospect of a summer vacation in the Azores with his father (played by João Lagarto) is like a dream come true. It’s a time for them to become re-acquainted and it’s also a time for his first girlfriend and annoying questions to his father about love and sex.Read More »

After finishing what would become his international phenomenon Rashomon, Akira Kurosawa immediately turned to one of the most daring, and problem-plagued, productions of his career. The Idiot, an adaptation of Fyodor Dostoyevsky’s nineteenth-century masterpiece about a wayward, pure soul’s reintegration into society—updated by Kurosawa to capture Japan’s postwar aimlessness—was a victim of studio interference and, finally, public indifference. Today, this “folly” looks ever more fascinating, a stylish, otherworldly evocation of one man’s wintry mindscape.Read More »

Quote:
The tale of an eccentric band of culinary ronin who guide the widow of a noodle-shop owner on her quest for the perfect recipe, this rapturous “ramen western” by Japanese director Juzo Itami is an entertaining, genre-bending adventure underpinned by a deft satire of the way social conventions distort the most natural of human urges—our appetites. Interspersing the efforts of Tampopo (Nobuko Miyamoto) and friends to make her café a success with the erotic exploits of a gastronome gangster and glimpses of food culture both high and low, the sweet, sexy, and surreal Tampopo is a lavishly inclusive paean to the sensual joys of nourishment, and one of the most mouthwatering examples of food on film ever made.Read More »

“Çirkin Kral” is the film which gave Yılmaz Guney his legendary nickname, “the ugly king”. As a copy of cheap Hollywood action/thrillers “Çirkin Kral” imitates the clichés of the genre but also provides a local and Turkish tone too, thanks to Yılmaz Guney’s anti-hero character and his co-star, Tuncel Kurtiz. A classic and very rare movie from the unforgettable director of fantastic and thriller movies.Read More »

John Gruber is in his mid thirties, an egocentric, living life in the fast lane and sparing no expense. But all of a sudden he is thrown off track by a cancer diagnosis and by the person who unwillingly delivers the news: Sarah, a DJane from Berlin, who is not his type at all. Feelings just aren’t Gruber’s cup of tea and now, without having asked for them, he has more than ever before.

3 wins, 7 nominationsRead More »

Quote:
Rose, 78, has just lost her most beloved husband. When her grief gives way to a powerful impulse of life that makes her realize that she can still redefine herself as a woman, the whole balance of the family is upset.Read More »