«Without doubt, the hottest GLIMPSE ever!» – WMKARTRead More »

Jean-Louis Vattier dreams about his lovely downstairs neighbor, Brigitte Lahaie, although his dreams occasionally turn into nightmares involving his hard hat co-worker Dominique Aveline. One particularly strange and violent sequence is not made any more watchable by some slow motion fighting accompanied by the usual ‘arousing’ sax music instead of more threatening music, but this entire film is one big incomprehensible trip anyway, so the viewer had better prepare for more far out scenes. Pierre awakes to find his beautiful blond wife (although she’s no Brigitte) played by Ursula White. Obviously their marriage is in trouble, with him living in a fantasy world of his own making while she, Janine, has taken a lover of the same sex (Liliane Lemieuvre as Rosette). Pierre spots Brigitte in a book store and begins to fantasize once more.Read More »

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Svetla, a widow who lost her job recently is living next to the Bulgarian-Turkish border. There are many cases of refugees in her village due to it’s location. One day she meets a refugee from Africa and this changes her life.Read More »

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In Senegal, the name of Omar Blondin Diop is associated with an unpunished state crime. In France, he has mostly gone down in history as a Marxist activist featuring in “La Chinoise”, a fiction of political anticipation by Jean-Luc Godard. Today in Dakar, his brothers and friends remember him while the local youth play their own fate under the imperfect present of China-Africa.Read More »

Claire Simon’s The Competition (Le Concours) begins, significantly, with the image of a locked gate—that of the Fondation Européenne pour les Métiers de l’Image et du Son, or, as it’s more popularly known, La Fémis. One of the most prestigious film schools in the world, offering hands-on training from working professionals, every year La Fémis attracts hundreds upon hundreds of applicants hoping to fill only forty annual slots. This new film by Simon, one of France’s premiere nonfiction filmmakers, offers a unique look into the process whereby those lucky forty are selected—a process involving examiners from the French film industry which is highly personal and idiosyncratic and subject to the vagaries of taste and personal prejudice.Read More »

Somewhere in the Alentejo, there are two large earth covered kilns where a man makes charcoal. Essential elements like fire, water, air, earth and space reflect, breathe and celebrate the rhythm of the Earth.Read More »

“Over 2 hours of beautiful, natural, often quite young girls, no faked-orgasms, fountain girls brilliantly real.”Read More »

This new Glimpse is entirely devoted to the female and her spells. Only two men make an appearance but the second one is so beautiful … he’s probably an angel! European, Asian, African, shy, playful, serious but all pretty, fresh and graceful, sen- sual sex before and after, with always natural breasts and pussies to the fine flesh unshorn, fifteen young girls are sharing their passions alone or in duo with innocence and enthusiasm or for the first time in front of the camera, sex is their pleasure not their profession.Read More »

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Roy Stuart’s Glimpse 12 plunges the viewer into a universe of games, serious games like life and death games that evoke the relationship between the sexes and the passion often deviating into madness – Between men and women, it has not always been that peaceful. It’s a long saga of power struggles, power play, alienation …where assault, rape and humiliation were always at hand. What are the rules ? How can the sexes manage to get along?Read More »