William Wyler

  • William Wyler – The Letter (1940)

    1931-1940DramaFilm NoirUSAWilliam Wyler

    Synopsis:
    William Wyler’s dark and poisonous melodrama, based on the W. Somerset Maugham novel, features Bette Davis in one of her nastiest roles. The story begins in the shimmering moonlight on a tropical Malayan rubber plantation. Shots ring out and a wounded man, Geoffrey Hammond (David Newell) staggers from a bungalow as Leslie Crosbie (Bette Davis) coldly follows him, pumping the remaining bullets into his body. She later tells her husband Robert (Herbert Marshall) that she shot Geoffrey, a mutual friend, because he was drunk and tried to take advantage of her. Robert, who owns the plantation, believes her story and hires high-powered lawyer Howard Joyce (James Stephenson) to defend her. Read More »

  • William Wyler – Mrs. Miniver (1942)

    1941-1950DramaUSAWarWilliam Wyler

    Synopsis:
    This is the story of an English middle class family through the first years of World War II. Clem Miniver is a successful architect and his beautiful wife Kay is the anchor that keeps the family together. With two young children at home, Kay keeps busy in the quaint English village they call home. She is well-liked by everyone and the local station master has even named his new rose after her. When their son Vincent, Vin to everyone, comes home from Oxford for the summer he is immediately attracted to Carol Beldon, granddaughter of Lady Beldon. Their idyllic life is shattered in September 1939 when England is forced to declare war on Germany. Soon Vin is in the RAF and everyone has to put up with the hardship of war including blackouts and air raids. Read More »

  • Sam Wood & William Wyler – Raffles (1939)

    1931-1940ComedyCrimeSam WoodUSAWilliam Wyler

    Synopsis:
    Man about town and First Class cricketer A.J. Raffles keeps himself solvent with daring robberies. Meeting Gwen from his schooldays and falling in love all over again, he spends the weekend with her parents, Lord and Lady Melrose. A necklace presents an irresistible temptation, but also in attendance is Scotland Yard’s finest, finally on the trail.Read More »

  • William Wyler – A House Divided (1931)

    1931-1940DramaUSAWilliam Wyler

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    In a small Pacific village, a widowed fisherman marries a girl young enough to be his daughter. Complications ensue when the new wife falls in love with her husband’s son.

    Creaky but interesting melodrama powered by Walter Huston’s performance as a brute and a dynamite action ending. Although Wyler’s direction is not as sure as it would be later, it is interesting to note that, for the most accomplished studio director of all time, a man said to operate without a style of his own, a lot of images that show up in his later films (particularly WUTHERING HEIGHTS and THE LITTLE FOXES) also show up here.Read More »

  • William Wyler – The Little Foxes (1941)

    Drama1941-1950ClassicsUSAWilliam Wyler

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    Lillian Hellman’s play, a prime example of the “well-made” variety, is precisely the kind of successful middle-brow property that appealed to Samuel Goldwyn. He had already produced Hellman’s controversial The Children’s Hour (also directed by William Wyler, with cinematographer Gregg Toland), a play that handsomely survived a title change to These Three and the transformation of the issue of lesbianism into an illicit heterosexual affair. No major alterations were required for The Little Foxes. The film even resists the conventional “opening up” so often applied to theatrical texts, in the mistaken notion that fundamental cinematic values are expansively pictorial ones.Read More »

  • William Wyler – The Collector (1965)

    1961-1970DramaThrillerUnited KingdomWilliam Wyler

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    Quote:
    John Fowles’s novel The Collector was written in the form of a dual diary, one kept by a kidnapper, the other by his victim. The film is told almost exclusively from the point of view of the former, a nerdish British bank clerk named Freddy Clegg (Terence Stamp). A neurotic recluse whose only pleasure is butterfly collecting, Clegg wins $200,000 in the British Football Pool. He purchases a huge country estate, fixes up its cellar with all the comforts of home, then kidnaps Miranda (Samantha Eggar), an art student whom he has worshipped from afar. The demented Clegg doesn’t want ransom, nor does he want to rape the girl: he simply wants to “collect” her. She isn’t keen on this, and tries several times to escape. After several weeks, Clegg and Miranda grow increasingly fond of one another, and Clegg promises to let her go. When time comes for the actual release, however, Clegg decides that Miranda hasn’t completely come around to his way of thinking and changes his mind, leading to a further series of unfortunate events.Read More »

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