War

Two Soviet partisans on a mission to gather food contend with the winter cold, the occupying Germans, and their own psyches.

Letterboxd review by Lara Pop ★★★★½:
It rarely gets bleaker than The Ascent. Larisa Shepitko’s tale of perseverance in the face of imminent death surprised me on several counts. For the first half of the movie, I couldn’t figure out the significance of the title. If anything, Shepitko presents its exact opposite. The barren, snow-covered landscape, where death lurks in every grinding step man takes, devours the movie in its all-consuming white death. The shaky camera movement enhances every sound made in the white silence as the camera zooms in on man’s face and outlines the thin crust of ice scratching his cheek with its cold tendrils, stretching, reaching, with one goal in mind: to get to the innermost layer: the spirit; and to break it. It is a tableau of a frostbitten feast, an icy infusion of a deathly descent, straight into the vein. I couldn’t figure out why I was watching a film named its exact opposite.Read More »

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Ingmar Bergman’s Shame is at once an examination of the violent legacy of World War II and a scathing response to the escalation of the conflict in Vietnam. Max von Sydow and Liv Ullmann star as musicians living in quiet retreat on a remote island farm, until the civil war that drove them from the city catches up with them there. Amid the chaos of the military struggle, vividly evoked by pyrotechnics and by Sven Nykvist’s handheld camera work, the two are faced with impossible moral choices that tear at the fabric of their relationship. This film, which contains some of the most devastating scenes in Bergman’s oeuvre, shows the impact of war on individual lives.Read More »

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Birdy is a 1984 American drama film based on William Wharton’s 1978 novel of the same name. Directed by Alan Parker, it stars Matthew Modine and Nicolas Cage. Set in 1960s Philadelphia, Pennsylvania, the film focuses on the friendship between two teenage boys, Birdy (Modine) and Al Columbato (Cage). The story is presented in flashbacks, with a frame narrative depicting their traumatic experiences upon serving in the Vietnam War.Read More »

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The film takes place in Belgrade during the German occupation in World War II. The main character is Predrag Simonović, played by Milivoje Živanović, a professor who is not concerned with politics and war, but who accidentally comes into possession of a list of resistance movement members and becomes involved.Read More »

Italian anti-war movie, a real case.
Bud Spencer has a minor role.Plays the role of Corporal.Read More »

A young Russian woman asks a Red Army soldier to spend the night with her in the wake of the Nazi invasion. Fearing she may soon perish, the woman hopes for one night of romance before what could be a horrible demise. Black-and-white photography is mixed with color as moods change in the film. Women are captured and sent off to concentration camps or to work in brothels for the pleasure of the sadistic Germans. A Russian woman places a noose around her own neck rather than let a Nazi touch her. Some of the victims manage to escape and they try to return to their war-torn home in the Ukraine to join the defense.Read More »

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WWII Burma…Six paratroopers undertake an extremely dangerous mission against the Japanese. It will ultimately cost them their lives, except for one “lucky” survivor.Read More »

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Beirut, My City finds Saab and her collaborator, the playwright and director Roger Assaf, returning to the shell of her former home following Israel’s 1982 invasion, finding small glimmers of hope in the chaos of refugee camps and the rubble of decimated neighborhoods.
“I consider this to be my most important film, the one that is the closest to my heart. In 1982, my house was burning. That’s not nothing. It was a very old house. 150 years of history went up in flames and disappeared. All of that is suddenly destroyed. The family home, wiped off the map, gone from the city, having become a pile of ruins.”Read More »

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An adaptation of an HE Bates story, set in an isolated Wiltshire farm in 1942. With her husband a prisoner-of-war, lonely wife (Jackson) strikes up an intimate relationship with a young soldier (Deacon), a farmer’s boy who hates the army. When he impulsively deserts, she hides him, disguised in drag as her sister. The inevitable tensions of their life are increased when two soldiers from the nearby camp discover ‘the girls’, and the lecherous sergeant (Reed) takes a fancy to the one in drag. The relationship between the wife and the deserter is built carefully and convincingly, but in going for laughs as the bullish sergeant, Oliver Reed lets some of the potential tension slip away. As with many of Bates’ stories, the plot is in any case resolved suddenly and melodramatically.Read More »