
Artavazd Peleshian wrote:
“It was during my work on the film We that I became convinced that my interests were elsewhere, that the very essence and main thrust of montage for me was found less in assembling scenes and more in the possibility of disjoining them, not in their juxtaposition but their separation. It became clear that what interested me above all wasn’t joining two elements of the montage, but rather separating them by inserting a third, fifth, even tenth element between them.Read More »








