USA

Series: Screen Classics
Ebook: 328 pages
Publisher: University Press of Kentucky; 1st edition (March 26, 2014)
Language: English
eISBN: 978-0-8131-4480-1

With a career that spanned from the silent era to the 1990s, British screenwriter Charles Bennett (1899–1995) lived an extraordinary life. His experiences as an actor, director, playwright, film and television writer, and novelist in both England and Hollywood left him with many amusing anecdotes, opinions about his craft, and impressions of the many famous people he knew. Among other things, Bennett was a decorated WWI hero, an eminent Shakespearean actor, and an Allied spy and propagandist during WWII, but he is best remembered for his commercially and critically acclaimed collaborations with directors Sir Alfred Hitchcock and Cecil B. DeMille.Read More »

Series: Screen Classics
Ebook: 328 pages
Publisher: University Press of Kentucky (October 13, 2014)
Language: English
eISBN: 978-0-8131-4711-6

Noted for his charisma, talent, and striking good looks, director Rex Ingram (1893−1950) is ranked alongside D. W. Griffith, Marshall Neilan, and Erich von Stroheim as one of the greatest artists of the silent cinema. Ingram briefly studied sculpture at the Yale University School of Art after emigrating from Ireland to the United States in 1911; but he was soon seduced by the new medium of moving pictures and abandoned his studies for a series of jobs in the film industry. Over the next decade, he became one of the most popular directors in Hollywood, directing smash hits such as The Four Horsemen of the Apocalypse (1921), The Prisoner of Zenda (1922), and Scaramouche (1923).Read More »

Quote:
The DVD was burned from the 1971 closed circuit production, apparently on Videotape. Therefore, it has a VHS appearance to it. By any American legal definition, this would fit under the R and not the X rating, since it is intended as art, and all sex acts are merely simulated, although there is a good deal of nudity. This is NOT Porn.Read More »

Synopsis:
This documentary portrays the lives of nine desperate teenagers. Thrown too young into a seedy grown up world, these runaways and castaways survive, but just barely. Rat, the dumpster diver. Tiny, the teen prostitute. Shellie, the baby-faced blonde. DeWayne, the hustler. All old beyond their years. All underage survivors fighting for life and love on the streets of downtown Seattle. Written by Fiona KelleghanRead More »

Plot:
In Georgia, near to the Savannah River, the lazy and crook hillbilly Jeeter Lester lives in the Tobacco Road with his wife Ada, his son Dude and his single daughter Ellie May in a very poor condition. When the bank decides to take over his land, the banker George Payne is convinced by his friend Capt. Tim Harmon to lease the land to Jeeter for US$ 100.00 per year. Jeeter plots a means to loan the amount from the widow Sister Bessie Rice that has just received U$ 800.00 from the life insurance company. However, Bessie decides to get married with Dude and uses the money to buy a brand new car for Dude. Jeeter plots a means to sell her car while he tries to marry Ellie May with his son-in-law Lov Bensey that was left by his wife.Read More »

The Quiet Man is a 1952 American Technicolor romantic comedy-drama film. It was directed by John Ford and starred John Wayne, Maureen O’Hara, Victor McLaglen and Barry Fitzgerald. It was based on a 1933 Saturday Evening Post short story by Maurice Walsh. The film is notable for its lush photography of the Irish countryside and the long, climactic, semi-comic fist fight between Wayne and McLaglen. It was an official selection of the 1952 Venice Film Festival.Read More »

Synopsis
Behind the scenes chronicle of how clash of vision, bad creative decisions, lack of interest and really bad weather plagued the disastrous production of the infamous 1996 remake of The Island of Dr. Moreau.

Quote:
Riding high on the wave of unforeseen success created by his arty 1990 dystopian flick HARDWARE, Richard Stanley turned next to a passion project adaptation of H.G. Wells’ THE ISLAND OF DOCTOR MOREAU—which, after years of expending chutzpah and actualizing willpower, the South Africa-born writer-director somehow manages to get his provocative, imaginative take on the story green-lit by New Line with Marlon Brando installed in the lead role…Read More »

Plot Synopsis by Hal Erickson
Those popular MGM co-stars William Powell and Myrna Loy take a break from their usual Thin Man duties to star in the zany comedy I Love You Again. The film opens with Loy prepared to divorce her dull businessman husband Powell. A blow on the head causes Powell to remember his former life as a notorious con man. No one in town has any knowledge of Powell’s criminal past, a fact he hopes to use to his advantage. Loy, astounded at Powell’s sudden surge of amorous ardor, reconsiders her divorce. When she learns of his true identity, she is even more fascinated. Another blow on the head restores the non-criminal Powell–at least, that’s what he and Loy would like you to believe. The film’s highlight is a screamingly funny sequence in which Powell plays scoutmaster to a group of surly youngsters (including Our Gang veterans Carl Switzer and Mickey Gubitosi, aka Robert Blake).Read More »

Quote:
To quote Martin Scorsese, “Cinema is a matter of what’s in the frame and what’s out.” David Bordwell and Kristin Thompson have turned Scorsese’s maxim into a career. The husband-wife team of film critics and scholars teach at the University of Wisconsin, publish books, maintain an indispensable and routinely astonishing blog, and lecture regularly at film festivals around the world. They’re strangers to the general public, but well known (if not always properly appreciated) by aficionados of film history and technique…Read More »