On a flight from Chicago to Los Angeles via Iowa, lawyer David Trask gets to know three of his fellow passengers as one technical issue after another leads to delays and unscheduled stops along the way. Those three are physician Dr. Robert Fortness, struggling actress with the stage name Binky Gay, and loud salesman Eddie Hoke, who is both quick with a joke and quick to show off a photograph of his beautiful wife, Marie Hoke. Below the surface, the three have deeper stories, which are bringing them back to Los Angeles and which Dr. Fortness and Binky divulge to David. Dr. Fortness, an alcoholic, is returning to own up to his drunken part in the death of a friend, and his wife Claire’s complicity in the matter. Binky, after being away in New York for a year, is returning to her husband, Mike Carr, hoping to take him away from his overbearing mother, former vaudeville star Sally Carr, who still basks in her former but no longer shining glory, and who is the cause of any marital problem she and Mike have had as she sees Binky as competition in every sense of the word. Because of an incident en route and his burgeoning friendship with them, David feels compelled to help them resolve their issues. Specifically in dealing with Eddie’s life, David is forced to reflect on his own and the reason he left his home in Midland City, Iowa.Read More »
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Jean Negulesco – Phone Call from a Stranger (1952)
Drama1951-1960Film NoirJean NegulescoUSA -
James Benning – One Way Boogie Woogie 2012 (2012)
USA2011-2020DocumentaryExperimentalJames BenningQuote:
In late May of 2011 I returned to Milwaukee to make a third version. This one was shot with a Sony HD camera. For this second re-make I decided to go back to the original idea, that is, to simply document the architecture in Milwaukee’s industrial valley. I searched for buildings that looked like the ones from 1977. I found 18 of them. A few of them are also in the original 1977 film, and the others look as if they could have been. I then decided to shoot each of these building for five minutes. I felt a longer duration was necessary to study their true presence. During filming a few fortuitous events occurred that reminded me of the constructed minimal narratives of the original film, so I decided to add one constructed narrative (myself as the actor) to this latest film, ONE WAY BOOGIE WOOGIE 2012. (James Benning)Read More » -
Alfred Hitchcock – Suspicion (1941)
1941-1950Alfred HitchcockClassicsThrillerUSAQuote:
Wealthy, sheltered Joan Fontaine is swept off her feet by charming ne’er-do-well Cary Grant. Though warned that Grant is little more than a fortune-hunter, Fontaine marries him anyway. She remains loyal to her irresponsible husband as he plows his way from one disreputable business scheme to another. Gradually, Fontaine comes to the conclusion that Grant intends to do away with her in order to collect her inheritance…a suspicion confirmed when Grant’s likeable business partner Nigel Bruce dies under mysterious circumstances. To his dying day, Hitchcock insisted that he wanted to retain the novelist Francis Iles’ original ending, but that the RKO executives intervened. Fontaine won an Academy Award for her work.Read More » -
James Benning – 11 x 14 (1977)
1971-1980ExperimentalJames BenningUSACriterion: David Hudson
February 18, 2018 | Berlinale | Critic’s Rating: +++ (jury.critic.de)
None of that was on my mind as I luxuriated in the vibrant grain. Those, like me, who’ve been familiar only with Benning’s later work may be surprised by how entertaining and, at times, even funny 11 x 14 is. . . . Dialogue is rare, muffled, and all but indecipherable, but that doesn’t mean 11 x 14 isn’t a film to listen to as well as admire for its framing and composition.Read More » -
Alfred Hitchcock – Rear Window (1954)
1951-1960Alfred HitchcockMysteryThrillerUSAQuote:
Alfred Hitchcock spent his entire career experimenting with, and perfecting, the storytelling structure of the thriller. He had a legitimate “prestige” film with his first American production, “Rebecca,” but even that more than qualifies to be considered in the same genre vein as “Vertigo,” “Psycho,” “North By Northwest” or “Strangers on a Train.” This particular attention to genre is likely why Hitchcock did not receive an Oscar until the Honorary one he got at the end of his life, but that snub has always been attributed more to the stuffiness of the Academy than any lack of worthiness on Hitch’s part.Read More » -
Sidney Lumet – Equus (1977)
1971-1980DramaMysterySidney LumetUSAIMDb wrote:
A psychiatrist, Martin Dysart, investigates the savage blinding of six horses with a metal spike in a stable in Hampshire, England. The atrocity was committed by an unassuming seventeen-year-old stable boy named Alan Strang, the only son of an opinionated but inwardly-timid father and a genteel, religious mother. As Dysart exposes the truths behind the boy’s demons, he finds himself face-to-face with his own.Read More » -
Shirley Clarke – Robert Frost: A Lover’s Quarrel with the World (1963)
1961-1970DocumentaryShirley ClarkeUSAQuote:
A hybrid of talking heads, an extended speech and pastoral home life, Robert Frost: A Lover’s Quarrel with the World studies legendary American poet Robert Frost with the intimate signature of director Shirley Clarke. The film begins with a voiceover from President John F. Kennedy: “The artist, however faithful to his personal vision of reality, becomes the lost champion of the individual mind and sensibility, against an intrusive society and officious state.” This begins President Kennedy’s encomium to Frost, honoring his life and career at a Congressional Gold Medal ceremony on March 26, 1962.Read More » -
Justin Benson & Aaron Moorhead – The Endless (2017)
2011-2020HorrorJustin Benson and Aaron MoorheadThrillerUSAQuote:
This mind-bending thriller follows two brothers who receive a cryptic video message inspiring them to revisit the UFO death cult they escaped a decade earlier. Hoping to find the closure that they couldn’t as young men, they’re forced to reconsider the cult’s beliefs when confronted with unexplainable phenomena surrounding the camp. As the members prepare for the coming of a mysterious event, the brothers race to unravel the seemingly impossible truth before their lives become permanently entangled with the cult.Read More » -
Stanley Kubrick – The Killing (1956) (HD)
1951-1960Film NoirStanley KubrickUSAReview:
When it comes to addressing old films, there are two broad schools of thought: one is that they don’t make them like they use to and the other is that technology has improved the quality of films. While each side has its pros and cons what it often boils down to is citing examples. Whether it’s the grand visuals of Avatar or the beautiful dramatics of Broken Bosoms, each side has some strong hitters.The Killing is not about a murder, but a simple heist: two-million dollars from the racetracks. Led by Johnny Clay (Sterling Hayden), a gang of men from different walks of life all come together to pull off a heist. But, as always happens, the heist hits a hitch, mainly Sherry Peatty (Marie Windsor), wife of George Peatty (Elisha Cook), their inside man. After wringing out the details from her husband, she compromises the confidentiality of the heist.Read More »








