A bizarre tale about London, a lonely teen yearning for affection and a leather jacket, who lives in a dysfunctional family home where the mother keeps popping and sexually playing with her other child, X-Ray, a member of a gang of Mods who are constantly at war with a gang of Asian Bikers. Amidst this turmoil, London and her soul mate M16 search for meaning in a phantasmagoria without it.Read More »
SYNOPSIS: While driving through the Arizona desert, Albuquerque based independent trucker Martin Penwald – who goes by the handle “Rubber Duck” – along with his fellow truckers “Pig Pen” and “Spider Mike”, are entrapped by unscrupulous Sheriff Lyle “Cottonmouth” Wallace using a key tool of the trucker’s trade, the citizens’ band (CB) radio. Rubber Duck and Cottonmouth have a long, antagonistic history. When this encounter later escalates into a more physical one as Cottonmouth threatens Spider Mike, a man who just wants to get home to his pregnant wife, Rubber Duck and other the truckers involved, including Spider Mike, Pig Pen and “Widow Woman”, go on the run, figuring the best thing to do being to head to New Mexico to avoid prosecution. Along for the ride is Melissa, a beautiful photographer who just wanted a ride to the airport. As news of what happened spreads over the CB airwaves, other truckers join their convoy as a show of support. Cottonmouth rallies other law enforcement officers …Read More »
CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC’O WATSON HUFF
From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION
From the little theaters of the 1920s to the ad hoc film societies of the ’50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc’O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino’s third volume of experimental films continues to illuminate the degree to which cinema’s evolution has been influenced by those filmmakers who occupy its periphery.Read More »
Plot Synopsis
Discharged from a tour of duty in VietNam, a group of soldiers drives across the
US to take in the nation they fought for. The country, however, doesn’t want to
see them, and after being hustled by an attractive hitchhiker, their car breaks
down in a small town that treats them like dirt. Their revenge makes Rambo’s
look like a gentile tea party with a stunningly violent climax that you need to
see to believe.Read More »
Quote:
Shot over a period of three years, for Lights Marie Menken photographed New York window displays during the Christmas holiday. In order to avoid foot and street traffic interrupting the shots, Menken filmed from midnight to 1:00 a.m. in the morning, but had to keep the camera under her coat to keep it from freezing.Read More »
from rottentomatoes:
Michael Wadleigh’s WOODSTOCK: THREE DAYS OF PEACE & MUSIC finds the best rock stars of the 1960s performing at the historic Woodstock Music and Art Fair, the most celebrated rock concert of all time. Shot over the course of three days in August 1969, the film conveys the unique spirit of the once-in-a-lifetime, communal event, and in turn, captures the mood of an entire era. Amazingly volatile, electrifying performances are included by such timeless artists as Richie Havens; Joan Baez; The Who; Sha Na Na; Joe Cocker; Country Joe and The Fish; Arlo Guthrie; Crosby, Stills and Nash; Ten Years After; Santana; Sly and the Family Stone; Jimi Hendrix; Canned Heat; John Sebastian; Jefferson Airplane; and Janis Joplin. In addition to the music, the film’s historical relevance is what makes it such an important time capsule, thrillingly eternalizing the legendary event for generations to come.Read More »
IMDB:
International crime syndicate called the Dragon captures a male and a female scientist, and uses sexual torture through pleasure overload to get them to reveal a secret formula that enables total recall. A CIA agent must rescue them.Read More »
Over three years celebrated documentary filmmaker Alison Klayman followed leading
contemporary artist Ai Weiwei as he prepared for exhibitions, spent time with his family and
came to blows with the Chinese government. What resulted would create the documentary
event of the year. Read More »
Plot Synopsis: Though he doesn’t speak his first line of dialogue until the film’s final ten minutes, Peter Lorre spiritually dominates the fascinating RKO melodrama Stranger on the Third Floor. The plotline is carried by John McGuire, playing Ward, a newspaper reporter whose courtroom testimony sends the hapless Briggs (Elisha Cook Jr). to the death house. Ward is certain that he saw Briggs leaving the scene of a murder, but as the days pass, he is tortured by guilt and doubt — especially during the film’s surrealistic knockout of a nightmare sequence. When another murder is committed, Ward finds himself as much a victim of circumstantial evidence as the unfortunate Briggs. The reporter’s girlfriend (Margaret Tallichet) tries to clear Ward….and that’s when she first makes the acquaintance of Lorre, who is heard ordering a pound of raw meat! Stranger on the Third Floor was a “film noir” long prior to the genesis of that cinematic movement. Long ignored or trivialized by film historians, this 7-reel quickie has in recent years graduated to classic status.
— Hal Erickson, AMGRead More »