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Hotel manicurist Regi Allen is a cynical gold-digger who meets her match in Theodore ‘Ted’ Drew III, the penniless scion of a once-wealthy family who is himself about to marry for money. After a date with Ted, she lets him sleep on her couch when he’s too drunk to get any further. But what is she to think when he wants to extend the arrangement?Read More »
Plot: Set within Chicago’s labyrinth of alleyways, Scrappers is a cinema verite portrait of Otis and Oscar, two scrap metal scavengers searching for a living with brains, brawn and battered pickup trucks. The film shows how globalization, the 2008 financial crisis, crackdowns on undocumented immigrants and widespread scrap metal theft effect these men and their families.Read More »
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Maureen O’Hara as the spoiled, rich, American preditor who falls head-over-heels for the brooding, tormented, about-to-retire matador, Luis Santos (Anthony Quinn) who has inexplicably run away prior to a corrida that was to occasion the “alternativa” of a young, up-and-coming bullfighter (Manuel Rojas). The mystery is solved 94 minutes later, after Maureen has conquered Tony and Tony has saved Marueen’s life by caping a toro bravo with his plaid horse blanket.Read More »
A compelling and revealing exploration of one person’s psyche in crisis: combines elaborate split-screen and multi-voice soundtrack to produce a self-portrait at once satiric and poignant.Read More »
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Werner Herzog gains exclusive access to film inside the Chauvet caves of Southern France and captures the oldest known pictorial creations of humanityRead More »
Elderly schoolteacher Nora Trinell, waiting to meet presidential nominee Dewey Roberts, recalls him as her student back in 1916 and his relation to Dan Hopkins, the man she married and lost.Read More »
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Road-movie from Montana to Wyoming. A gullible, innocent young man (Mulroney) assists a versatile girl (Taylor) on her long quest to get her brother out of jail.Read More »
Lights of Old Broadway
Essay by Matthew Kennedy
By 1924, Metro Pictures was ailing. Founded in 1915 it had major successes with child star Jackie Coogan, “Great Stone Face” Buster Keaton, and sensational Rudolph Valentino in Four Horsemen of the Apocalypse (1921). But Metro lost Valentino to Paramount and was also in need of more theaters to better control exhibition. Goldwyn Pictures was in trouble, too, thanks to internecine fights between management and board. A merger could mitigate their respective business worries. When Metro and Goldwyn united on April 17, 1924, with the manipulative, canny, and robust Louis B. Mayer in charge, it became the nascent film empire Metro-Goldwyn- Mayer. Twenty-four-year-old “Boy Wonder” Irving Thalberg, formerly at Universal, was signed as supervisor of production.Read More »
