

Quote:
A rich businessman and a young woman are attracted to each other, but he only wants an affair while she wants to save herself for marriage.Read More »


Quote:
A rich businessman and a young woman are attracted to each other, but he only wants an affair while she wants to save herself for marriage.Read More »

Plot:
A wealthy woman’s secretary, fearing that she will be blamed if her employer’s jewelry is stolen, hires the Falcon as guardian.
The Falcon is blamed when the jewels are stolen and murders ensue.Read More »


An out-of-work architect meets a married woman who has a business proposition for him. The architect begins to suspect the woman’s interest in him is not just financial and may actually be deadly.Read More »

Abbott and Costello’s The Naughty Nineties offers a million laughs and a nickel’s worth of plot. Most of the film takes place aboard a 19th century showboat, owned by kindly Captain Sam (Henry Travers). Bud Abbott plays the showboat’s leading man Dexter Broadhurst, while Lou Costello is handyman Sebastian Dinwiddie. A group of slick gamblers (Alan Curtis, Rita Johnson and Joe Sawyer) cheat Captain Sam out of his boat, turning the place into a floating gambling palace, but Dexter and Sebastian foil the villains and save the day. The film is a virtual encyclopedia of wheezy but still hilarious comedy routines, many of them devised by veteran Laurel & Hardy and Three Stooges gagman Felix Adler. The film’s highlight is a full-length performance of Abbott and Costello’s verbal classic “Who’s on First?”-and if one listens very closely, one can hear the cameramen and crew members laughing!
— Hal Erickson (AllMovie)Read More »


In this modern day re-imagining of Sleeping Beauty, a disillusioned musician named Robert obtains a carnival act from a sleazy carny and brings home a young girl who has been asleep for many years. After bringing her to his secluded castle and awakening her with a kiss, Robert tries to introduce her to his strange and magical world, but as their relationship develops Jennifer begins to pine for a life that is more complex than Robert can offer.Read More »


During Boys’ Week at racially integrated North High School, students Steve Smith, Gus Ruffo and Billy Anderson are elected to temporarily hold the city offices of district attorney, judge and chief of police. After Jewish tailor Herman refuses to pay protection money to Louis Garrett, Garrett’s gang bombs his store. Herman and the student who was with him survive the blast, but Herman is later murdered by Garrett after he again refuses to pay. Garrett is acquitted of murder charges because he has a perfect alibi. Steve, who had taken the stand during the trial, is humiliated by his experience as a witness because he failed to prove Garrett’s guilt. Read More »


Ali Baba, son of the Kalif of Bagdad is brought up by the 40 Thieves after his father is killed by the soldiers of Hugalu Khan, who received the necessary information by traitor Cassim. Ali becomes the leader of the thieves and they are fighting for the freedom of his land. Per chance Ali captures the fiancée of Hugalu Khan, who turns out to be his girl friend Amara. After a few misunderstandings Ali uses her wedding day with Hugalu Khan as the day for the liberation of Bagdad.Read More »

Shannon Kelley writes:
The powers and fascinations of director John Ford and playwright Eugene O’Neill are happily met in this 1940 feature dramatizing the lives of men who serve as crew members aboard commercial freighters. Like O’Neill, Ford nursed a lifelong obsession with sailing and the sea, and had spent his early years in Portland, Maine, amid the maritime culture that this picture describes. Adapted and updated by screenwriter Dudley Nichols (Ford’s frequent collaborator) from four of O’Neill’s early plays set aboard the fictional “SS Glencairn,” the film recounts the experiences of the ship’s crew while transporting ammunition from the West Indies to England during World War II. Read More »

Museum of Modern Art writes:
In a gender twist on the “meddling mother-in-law,” Nick Rocco’s old-world father, Vittorio Rocco (Salvatore Baccaloni), can’t help insinuating himself into his son and daughter-in-law’s lives. Nick and Emily are just a few days away from the birth of their first child and Vittorio—a skilled handyman—is called in to help with repairs in their new home. Nick is reluctant to rely upon his meddling dad, but the repairs have to be made before the baby comes home. Baccaloni was an opera singer and member of the La Scala Opera in Milan.Read More »