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Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his enemy, and what really happened the night that his brother died. Meanwhile, Reggie (accompanied by a beauty he picked up on the road) battles the spheres and the undead in a quest to find Mike before the Tall Man can complete his transformation.Read More »
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An unconventional dentist (W. C. Fields) deals with patients in slapstick fashion.Read More »
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Fields relates the sad tale of his son who went astray in the city. Adapted from Fields’ 1928 Ear Carroll Vanities sketch “Stolen Bonds.”Read More »
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The Tall Man, that imposing menace from Morningside Mortuary, is back and once again haunting the thoughts of the now-adult Mike and his friend, ex-Ice Cream vendor Reggie. The two continue their hunt for the mysterious figure and in his path of destruction encounter a variety of dangerous situations, friends and enemies. They also must contend with the resurrected dead plus a growing number of the infamous and deadly silver spheres which aid the Tall Man as he sets his sights on indoctrinating Mike and finishing the fight begun so many years ago.Read More »
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With this furiously witty comedy of manners, Katharine Hepburn revitalized her career and cemented her status as the era’s most iconic leading lady—thanks in great part to her own shrewd orchestrations. While starring in the Philip Barry stage play The Philadelphia Story, Hepburn acquired the screen rights, handpicking her friend George Cukor to direct. The intoxicating screenplay by Donald Ogden Stewart pits the formidable Philadelphia socialite Tracy Lord (Hepburn, at her most luminous) against various romantic foils, chief among them her charismatic ex-husband (Cary Grant), who disrupts her imminent marriage by paying her family estate a visit, accompanied by a tabloid reporter on assignment to cover the wedding of the year (James Stewart, in his only Academy Award–winning performance). A fast-talking screwball comedy as well as a tale of regret and reconciliation, this convergence of golden-age talent is one of the greatest American films of all time.Read More »
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Two years before stars Katharine Hepburn and Cary Grant and director George Cukor would collaborate on The Philadelphia Story, they brought their timeless talents to this delectable slice of 1930s romantic-comedy perfection, the second film adaptation of a hit 1928 play by Philip Barry. Grant is at his charismatic best as the acrobatically inclined free spirit who, following a whirlwind engagement, literally tumbles into the lives of his fiancée’s aristocratic family—setting up a clash of values with her staid father while firing the rebellious imagination of her brash, black-sheep sister (Hepburn). With a sparkling surface and an undercurrent of melancholy, Holiday is an enchanting ode to nonconformists and pie-in-the-sky dreamers everywhere, as well as a thoughtful reflection on what it truly means to live well.Read More »
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The “Tall Man” and his strange little Killer Sphere return for a second round in this sequel to the 1979 cult favorite. Mike Pearson (James LeGros) is still plagued by memories of the Tall Man (Angus Scrimm), an evil mortician who has risen from the grave and bleeds embalming fluid — and tried to kill him as a boy. Mike has been a patient in a mental institution for the last decade, insisting that the Tall Man is real; he still appears in his dreams ten years after their first encounter. When Mike changes his tune and says that the undead undertaker was merely a hallucination, he is finally released. However, Mike and his best friend, Reggie (Reggie Bannister), are actually out to find the Tall Man and put an end to his habits of grave-robbing and draining people’s bodies with his flying brain-juicer. As they search for the Tall Man, Mike encounters Liz (Paula Irvine), a woman who has also appeared in his dreams, and she claims that she too has been pursued by the Tall Man.Read More »
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Mike, a young teenage boy who has just lost his parents, is afraid to lose his brother. This fear causes him to follow his brother to a funeral, where Mike witnesses the Tall Man lift a coffin on his own. Mike decides to investigate and discovers a horrible world where the Tall Man, along with his flying spheres, shrinks the dead to half their normal size and reanimate them as slaves. It is then up to Mike, his brother, and Reggie the ice cream man to stop the Tall man.Read More »
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Erica is unmarried only temporarily in that her successful, wealthy husband of seventeen years has just left her for a girl he met while buying a shirt in Bloomingdale’s. The film shows Erica coming to terms with the break-up while revising her opinions of herself, redefining that self in its own right rather than as an extension of somebody else’s personality, and finally going out with another man. Erica refuses to drop everything for Saul, an abstract expressionist painter, simply out of love for him because he expects her to. It is not so much loneliness that is her problem, and the problems that men, flitting around this newly “available” woman like moths round a flame, bring to her sense of independence.Read More »