USA

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Jonathan Nossiter’s “Sunday” – winner of the Grand Jury Award at this year’s Sundance Film Festival – is an intriguingly ambiguous drama about the chance meeting and role-playing of two lonely, middle-aged people in Queens, N.Y. Despite a slow, disorienting start and an unsatisfying conclusion, pic has memorable impact due largely to strong lead performances by David Suchet and Lisa Harrow. Even so, it will need canny marketing, backed with highly favorable critical response, to attract ticketbuyers in specialty venues.Read More »

In a cinema letter to French director Jean Vigo, Lynne Sachs ponders the delicate resonances of his 1933 classic “Zero for Conduct” in which a group of school boys wages an anarchist rebellion against their authoritarian teachers. Thinking about the Jan. 6, 2021 assault on the United States Capitol by thousands of right-wing activists, Sachs wonders how innocent play or calculated protest can turn so quickly into chaos and violence.Read More »

Has dialogue ever been more perfectly hard-boiled? Has a femme fatale ever been as deliciously wicked as Barbara Stanwyck? And has 1940s Los Angeles ever looked so seductively sordid? Working with cowriter Raymond Chandler, director Billy Wilder launched himself onto the Hollywood A-list with this epitome of film-noir fatalism from James M. Cain’s pulp novel. When slick salesman Walter Neff (Fred MacMurray) walks into the swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he intends to sell insurance, but he winds up becoming entangled with her in a far more sinister way. Featuring scene-stealing supporting work from Edward G. Robinson and the chiaroscuro of cinematographer John F. Seitz, Double Indemnity is one of the most entertainingly perverse stories ever told and the standard by which all noir must be measured.Read More »

The story of the late J. Edgar Hoover, who was head of the FBI from 1924-1972. The film follows Hoover from his racket-busting days through his reign under eight U.S. presidents.Read More »

Private investigator Philip Marlowe helps a friend out of a jam, but in doing so gets implicated in his wife’s murder.Read More »

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Utilizing stock military footage of Pearl Harbor, December 7th departs from the typical documentary form to present a narrative framing device featuring Walter Huston as a character representing Uncle Sam, Harry Davenport as a folksy representation of “conscience” called Mr. C, and Dana Andrews as the ghost of an American soldier. The story opens on December 6, 1941, the day before the attack, with Uncle Sam and Mr. C carrying on a discussion about the history of Hawaii and the country’s war preparations. One of the approaches taken by co-directors John Ford and Gregg Toland was to paint the Japanese-American citizens of Hawaii (37 percent of the population, according to the film) as potential traitors, fifth-columnists spying on their “American” employers for information to hustle back to the “homeland.” Read More »

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A fable of innocence: thirteen-year-old Aviva Victor wants to be a ‘mom’. She does all she can to make this happen, and comes very close to succeeding, but in the end her plan is thwarted by her sensible parents. So she runs away, still determined to get pregnant one way or another, but instead finds herself lost in another world, a less sensible one, perhaps, but one pregnant itself with all sorts of strange possibility. She takes a road trip from the suburbs of New Jersey, through Ohio to the plains of Kansas and back. Like so many trips, this one is round-trip, and it’s hard to say in the end if she can ever be quite the same again, or if she can ever be anything but the same again.Read More »

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The storyline of this movie involves a series of motiveless murders committed by various New York residents: a sniper shoots people from a water tower; a father murders his entire family; and a cop (Andy Kaufman) opens fire during a St. Patrick’s Day parade. The only consistent pattern to the crimes involves the perpetrators calm admissions of guilt, explaining, “God told me to.” While investigating the murders, catholic police detective Peter Nicholas (Tony Lo Bianco) is increasingly troubled by evidence of a Christ-like figure named Bernard Phillips (Richard Lynch) who appeared to each of the killers and can’t seem to shake the feeling that his own fate is somewhat linked to this mysterious being. As he comes closer to the truth, his worst fears are confirmed.Read More »

Synopsis: Kamikaze Hearts provocatively depicts a relationship between two lesbian drug addicts. By blending cinema verite and docu-drama, Juliet Bashore’s one-of-a-kind entry mines the raw material in this love story about porn star Sharon Mitchell and her sometime producer Tina “Tigr” Mennett. What unfolds is an uncommon peek at the underground “adult film industry.” Moreover, viewers see two unusual women
who buck the traditional ways of a male-dominated society through wholly unconventional, if self-destructive, means.Read More »