USA

The only documentary to focus solely on the life and career of Yvonne Rainer, Feelings Are Facts: The Life of Yvonne Rainer tells the captivating story of one of America’s most important artists. In 1962, as a founding member of Judson Dance Theater, Rainer revolutionized modern dance by introducing everyday movements like walking and running into the dance lexicon. Abandoning choreography in the ‘70s, Rainer introduced narrative techniques into American avant-garde film, turning that genre on its head, too. In Feelings Are Facts, we follow Rainer, now in her 80s and returned to choreography, as she continues to create vibrant, courageous, unpredictable dances that invite audiences to question basic assumptions about art and performance.Read More »

A married man with premature ejaculation problems agrees to sell his soul to solve his problem.Read More »

Earthquake is a 1974 American ensemble disaster film that achieved outstanding box office returns, continuing the disaster film genre of the 1970s where recognizable all-star casts attempt to survive life or death situations. The plot concerns the struggle for survival after a catastrophic earthquake destroys most of the city of Los Angeles, California.

Directed by Mark Robson and with a screenplay by George Fox and Mario Puzo, the film starred a large cast of well-known actors, including Charlton Heston, Ava Gardner, George Kennedy, Lorne Greene, Geneviève Bujold, Richard Roundtree, Marjoe Gortner, Barry Sullivan, Lloyd Nolan, Victoria Principal, and (under an alias) Walter Matthau. It is notable for the use of an innovative sound effect called Sensurround which created the sense of actually experiencing an earthquake in theatres.Read More »

Adapted by Samuel W. Taylor from his own novel, The Man with My Face is an acting tour de force for Barry Nelson. The star is cast as an accountant who returns home late one evening, only to discover that a look-alike has taken his place. So persuasive is the phony man that the real one is regarded as an impostor. Even his wife (Lynn Ailey) and business partner (John Harvey) seem to have fallen for the look-alike’s subterfuge. Accused of bank robbery, the poor man must rely on his ex-sweetheart Mary (Carole Mathews) and her brother Walt (Jack Warden in his film debut) to help him clear himself and expose his “evil twin.” The climax borrows a gimmick from an earlier “doppelganger” melodrama, The Black Room (1935). Man with My Face was filmed on location in Puerto Rico. ~ Hal Erickson, All Movie GuideRead More »

An outlaw tries to avoid interference as he journeys to Mexico to pull off a $2,000,000 gold robbery.

The film is based on a novel by Louis L’Amour.
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Burt Lancaster’s megawatt grin and acrobatic athleticism light up this grandly entertaining swashbuckler. He tumbles, vaults, and swings his way through the role of a Robin Hood-esque rogue who executes dazzling feats of derring-do as he and his rough-and-ready band of mountain men launch a rebellion against the occupying German gentry in 12th-century Italy. The filmmaker’s powers as an aesthetician are on full display in the exquisite Technicolor compositions, including one particularly striking moment of Tourneurian shadow play: a climactic duel in the dark wrought in finely shaded chiaroscuro.Read More »

Three mental patients–a bad impersonator, a baseball player, and a gay fashion designer–escape their asylum and sexually assault their way into a girls’ private school. The girls’ education includes wrestling and karate, so the three madmen will find stern opposition they never expected.

Starring: Michael Pataki, Bob Minor, Stephen Stucker, Colleen Brennan, Brenda Miller, George ‘Buck’ Flower, Jane Steele, Zoe Grant, Debbie Raymond, John Alderman & Richard Kennedy.Read More »

Point Blank is a 1967 American crime film directed by John Boorman, starring Lee Marvin and featuring Angie Dickinson, adapted from the crime noir pulp novel The Hunter by Donald E. Westlake, writing as Richard Stark. Boorman directed the film at Marvin’s request and Marvin played a central role in the film’s development and staging. The film was not a box office success in 1967 but has since gone on to become a cult classic, eliciting praise from such critics as film historian David Thomson.Read More »

Two clubmen discuss the occult, introducing three weird tales: 1) Plain, bitter Henrietta secretly loves law student Michael. Then on Mardi Gras night, a mysterious stranger gives her a mask of beauty that she must return at midnight. 2) At a party, palmist Podgers makes uncannily accurate predictions, later telling skeptic Marshal Tyler that he will murder someone. The notion obsesses Tyler, with ironic consequences. 3) High wire artist Gaspar dreams of falling, then loses his nerve. He recognizes Joan from his dreams, and falls for her. Will any of his dreams, involving Joan and disaster, come true?Read More »