

The college-educated son of a tyrannical industrialist collides with his father over matters of ethics, honesty and empathy regarding the handling of his companies and the treatment of his workers.Read More »


The college-educated son of a tyrannical industrialist collides with his father over matters of ethics, honesty and empathy regarding the handling of his companies and the treatment of his workers.Read More »


A henpecked New Jersey grocer makes plans to move to California to grow oranges, despite the resistance of his overbearing wife.Read More »


Plot Synopsis:
One Crowded Night, the 1940 Irving Reis crime mystery melodrama, brings a story (in true “Grand Hotel” fashion) about a group of unrelated people at a small struggling motor lodge in the Mojave Desert, and all of them have crucial events occur to them during one fateful night. Former gun moll Gladys (Billie Seward) hopes to find happiness with honest truckdriver Joe (William Haade), but her past catches up with her in the form of escaped convict Jim (Paul Guilfoyle). Lunch-counter waitress Annie (Gale Storm) allows gas station attendant Vince (Dick Hogan) to flirt with her. Young mother-to-be Ruth (Adele Pearce), on the verge of giving birth, is unexpectedly reunited with her AWOL sailor husband Mat (Gaylord Pendleton). Quack doctor Joseph (J. M. Kerrigan) tries to peddle his miracle elixir. A pair of gunmen show up to knock off Jim, a couple of MPs arrive to pick up Mat, and so it goes?.Read More »


Sam Shepard’s revisionist 1994 Western, the final release featuring late actor River Phoenix, combines elements of baroque Japanese ghost films like Onibaba with traditional stylistic conventions of John Ford.
Storyline:
It’s 1873, Indian Territory. Talbot Roe is going mad with grief over losing his Indian wife, Awbonnie. In an effort to save him, his father, Prescott Roe, seeks to purchase the dead wife’s sister, Velada, from the same traveling carnival he acquired Awbonnie. The girls’ father, carnival master Eamon McCree, is willing to do business, but her step-brother, Reeves, protests, putting an end to the negotiation. Desperate, Prescott kidnaps Velada and promises her the means to be rid of her father in return for comforting Talbot out of his obsession. In Talbot’s madness, he guards his wife’s corpse, preventing her from passing to the beyond. As a result, Awbonnie’s ghost begins haunting and cursing everyone involved in the transaction of selling her as a wife. Meanwhile, Reeves and Eamon search the prairie for Velada…Read More »


Quote:
I don’t have much patience with colleagues who dismiss Charlie Chaplin by saying that Buster Keaton was better (whatever that means). To the best of my knowledge, with the arguable exception of Dickens, no one else in the history of art has shown us in greater detail what it means to be poor, and certainly no one else in the history of movies has played to a more diverse audience or evolved more ambitiously from one feature to the next. The opening sequence in Chaplin’s second Depression masterpiece (1936), of the Tramp on the assembly line, is possibly his greatest slapstick encounter with the 20th century, and as Belgian filmmakers Luc and Jean-Pierre Dardenne have brilliantly observed, the famous shot of his being run through machinery equates him with a strip of film. Still, there’s more hope here than in Chaplin’s preceding City Lights, perhaps because this time the Tramp has Paulette Goddard, another plucky urchin, to keep him company.Read More »


An intimate and revelatory 1970 conversation between two film giants, Dennis Hopper, then riding high on the massive success of Easy Rider (1969), and Orson Welles, ever the iconoclast and an offscreen interviewer of probing authority.Read More »


Quote:
The Town was a short propaganda film produced by the Office of War Information in 1945. It presents an idealized vision of American life, shown in microcosm by Madison, Indiana.Read More »


IMDb wrote:
A beautiful young woman is abducted and forcefully initiated into a live sex act on a private stage, participating in lesbianism, interracial sex and an orgy in front of a live audience.Read More »


Quote:
Based on the epic prose poem by Lautreamont detailing the metaphysical adventures of the sinister Maldoror. This episode involves Maldoror’s hallucinatory encounter with an entity in the form of a glowworm that promises him enlightenment in exchange for the murder of a wraith called Prostitution. Maldoror, enraged, slays the hideous worm and makes love to Prostitution sealing his arcane initiation by which he is enlightened and transformed into a demon enemy of humanity.Read More »