USA

Luke and Kate are coworkers at a brewery who spend their nights drinking and flirting heavily. One weekend away together with their significant others proves who really belongs together and who doesn’t.Read More »

Annie Sprinkle reveals her sexual fantasies in this legendary film which she wrote and directed herself.Read More »

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The 1950s was an incredible time for television. Many of the best actors, directors and writers had moved from the big screen to TV and shows like “Playhouse 90” and “Screen Directors Playhouse” assembled some amazing talent. Here, Ida Lupino directs Teresa Wright, Peter Lorre and William Talman in a drama about some crooks who have chosen Wright’s isolated hotel in which to hide out from the law. Wright plays a deaf woman who is terrified of these men and it is very reminiscent of many other films–including a few in which Miss Lupino appeared (such as “Deep Valley”, “On Dangerous Ground” and “Beware My Lovely”). It also is a bit like the later film “Wait Until Dark” (with Audrey Hepburn)–though in this case the terrified woman is blind, not deaf.Read More »

A man is greeted as a war hero in his hometown due to a photo from Korea of Marilyn Monroe and him in LIFE magazine. He ends collecting insurance payments – basically conning poor people. He befriends a cute rich girl and a poor old woman.Read More »

A big-game hunter comes out of retirement to help track down a killer wolf, and begins to suspect that it isn’t a wolf but an animal that can take human form.Read More »

In San Francisco, a police detective, aided by a Catholic nun, investigates the case of a priest who falls to his death from the Golden Gate bridge.Read More »

Bill McKay is a candidate for the U.S. Senate from California. He has no hope of winning, so he is willing to tweak the establishment.Read More »

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This is the story of a black man (Jim Brown) who has been elected sheriff in a U.S. southern county, due to the vote of blacks. He receives a huge amount of hostility from the non-tolerant white establishment, making his job very hard. The white former sheriff (George Kennedy) has his own struggle, as he balances his devotion to the law with his family and community relations. Things come to a head when the black sheriff puts a white man, the son of a wealthy land-owner of a neighboring county, in jail, and his daddy comes after him. Everyone around has to decide where their values really lie.Read More »

To make Sidney’s slump all the more painful, Clifford Anderson, a student of one of Sidney’s writing seminars, has recently sent his mentor a copy of his first attempt at playwrighting for Sidney’s review and advice. The play, “Deathtrap,” is a five character, two act thriller so perfect in its construction that, as Sidney says, “A gifted director couldn’t even hurt it.” Using his penchant for plot, and out of his desperate desire to once again be the toast of Broadway, Sidney, along with Myra, cook up an almost unthinkable scheme: They’ll lure the would-be playwright to the Bruhl home, kill him, and market the sure-fire script as Sidney’s own. But shortly after Clifford arrives, it’s clear that things are not what they seem! Indeed, even Helga Ten Dorp, a nosey psychic from next door, and Porter Milgram, Sidney’s observant attorney, can only speculate where the line between truth and deception lies.Read More »