USA

Quote:
This film is a portrait of the passage of one year in the lives of some San Francisco friends, circa 1988 (before the dot.coming of the city), a slow marijuana hazed story which drifts like the fabled fog, encompassing the quirks and habits of a generation that made the city theirs, if only for a while. Very obliquely REMBRADT LAUGHING sketches the time and place, encompassing the Aids epidemic, the casual sexual revolution, the debris of ’68 lingering in the air. A quiet, very San Francisco comedy of life among a small group of friends. REMBRANDT LAUGHING was improvised over the period of about a month by Jost and his friends, mostly acting non-professionals.
(Jon Jost)Read More »

A horror comedy with fake news and commercials section, that was filmed on old video cameras to make it look like a real VHS recording of a commercial television station’s Halloween special from 1987.Read More »

In this classic conspiracy thriller, screen icon Robert Redford (Tell Them Willie Boy is Here, The Sting, All the President’s Men, Indecent Proposal) stars as CIA Agent Joe Turner. Code name: Condor. When his entire office is massacred, Turner goes on the run from his enemies…and his so-called allies. After reporting the murders to his superiors, the organization wants to bring Condor in—but somebody is trying to take him out. In his frantic hunt for answers, and in a desperate race for his life, Turner abducts photographer Kathy Hale (Faye Dunaway, The Thomas Crown Affair, Eyes of Laura Mars), eventually seducing her into helping him. Every twist leads Condor to the end of his nerves…and will take you to the edge of your seat. And as he zeroes in on the staggering truth, he discovers there are some secrets people would kill to keep. Masterfully directed by Sydney Pollack (Jeremiah Johnson, Tootsie, Out of Africa, Havana) and also starring Cliff Robertson (Charly), John Houseman (The Paper Chase) and the icy Max von Sydow (Needful Things), 3 Days of the Condor endures as one of Hollywood’s finest tales of political paranoia.Read More »

Two lonely women coincide at midnight in a laundromat, where they reveal their secrets.Read More »

Twenty five years ago, Jem Cohen completed Lost Book Found, a semi-fictional diary film that draws from his experience as a pushcart vendor in lower Manhattan. The work is crafted from what such a vendor might have seen and heard: bits of paper and plastic swirling ghostlike in eddies of wind; weathered storefronts; window displays crowded with tchotchkes; enigmatic notes taped to streetlights; disassociated recordings of sales pitches, passing conversations, and the sounds of machines at work; unlovely aggregations of cardboard; evening skylines glowing in fog.Read More »

Most cinephiles pick up on larger trends in filmmaking. As new artists enter the industry, they bring aspects of their favorite works back into the mainstream. For good or ill, each new generation of artists showcase common themes and concepts with those who came before. To some, this cycle creates derivative art. Yet, as Professor Howard Suber points out, it’s only memorable films that shape popular culture. Pulling from his lectures, his 2006 book, and dozens of films, Suber’s new documentary series, The Power of Film, provides an excellent foundation for audiences to begin a deeper appreciation of the art form.Read More »

A commercially realistic but artistically conflicted playwright lends his Berlin apartment to a young actress friend so she can rehearse her drama school audition while he goes off to save his doomed production in New York.Read More »

IMDb wrote:
France, 1885. Celestine, a Parisian girl arrives in the rural Lanlaire mansion to work as the chambermaid. Barely alighting from the train, Celestine has already been rebuffed by the haughty valet Joseph (an excellently surly Lederer), and confides to the also newly arrived scullery maid Louise (a mousy and dowdy Irene Ryan) that she will do whatever in her power to advancing her social position and firmly proclaims that love is absolutely off limits, and the film uses the literal diary- writing sequences as a recurrent motif to trace Celestine’s inner thoughts.Read More »

I Shot Andy Warhol is a 1996 independent film about the life of Valerie Solanas and her relationship with Andy Warhol. The movie marked the debut of Canadian director Mary Harron. The film stars Lili Taylor as Valerie, Jared Harris as Andy Warhol and Martha Plimpton as Valerie’s friend Stevie. Stephen Dorff plays Warhol superstar Candy Darling. John Cale of the Velvet Underground wrote the film’s score despite protests from former band member Lou Reed. Yo La Tengo plays an anonymous band that is somewhat reminiscent of the group.

The film was screened in the “Un Certain Regard” section at the 1996 Cannes Film Festival.Read More »