TV

In this astonishing twelve-part project for and about television — the title of which refers to a 19th-century French primer Le tour de la France par deux enfants — Godard and Mieville take a detour through the everyday lives of two children in contemporary France.

This complex, intimately scaled study of the effect of television on the French family is constructed around Godard’s interviews with a school girl and school boy, Camille and Arnaud. Godard’s provocative questions to the children range from the philosophical (Do you think you have an existence?) to the social (What does revolution mean to you?). The programs’ symmetrical structure alternates between Camille’s and Arnaud’s segments (or movements), each of which is labelled with on-screen titles: Obscur/Chimie is paired with Lumiere/Physique; Realitie/Logique with Reve/Morale; Violence/Grammaire with Desordre/Calcul.Read More »

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I wasn’t satisfied with the first two versions of the script which I had commissioned in Warsaw.

Luckily for me, at that time Bulgakov’s novel The Master and Margarita was first published in Poland. I was thrilled by it. I realized that I would not find a better text for the film than the story of Pilate. Everything was there: Christ, Pilate’s dark intrigue, Judas’ betrayal and the desperate loneliness of the single disciple and Evangelist.Read More »

Lech Kowalski returns to Utica (New York), where he grew up. He decides to document the struggles of his fellow citizens by offering to pay to hear their stories.Read More »

Set against the backdrop of Silver Jubilee of Elizabeth II, the play depicts a single mother’s struggles in this highly polemical and unremittingly bleak diatribe against government welfare cuts from the poor and disabled. The derogatory term ‘spongers’ is used by British tabloid press to describe people who are dependent on welfare support, however the play presents the case of a family who desperately need the help.Read More »

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Made in 1971 for French TV, the epic LA MAISON DES BOIS
comes from early in the Pialat’s belated
feature-filmmaking career. Rather like Loach’s DAYS OF
HOPE (Cinémathèque 2004) or Edgar Reisz’s HEIMAT
series, it begins in costume drama and an ethnographic
view of rural French life during World War One, and in
an apparently sentimental tale of war orphans. But
then it irises out from costume drama conventions into
the transcendental, exploring Pialat*s spiritual
themes, as well as the social dynamics, trauma and
collective experiences of war.Read More »

Taped on July 25, 1977. In Mrs. Thatcher’s second appearance on Firing Line, two years before she would take up the reins of government, the conversation turns to the state of democracy in present-day Britain. We get even more of a feel than in her first appearance (S0199) of why she would become so admired, and so reviled: “For years now in British politics you have needed to use the word ‘consensus.’… It’s a word you didn’t use when I first came into politics. We had convictions, and we tried to persuade people that our convictions were the right ones, and it’s no earthly good having convictions unless you have the will to translate those convictions into action. Read More »

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Carl Gustav Jung was 84 years old when he was interviewed for the BBC series, “Face to Face”, in October 1959. At the time, he was world’s greatest living psychologist, founder of analytical psychology and originator of the concept of the collective unconscious. So his agreeing to be interviewed was an historic coup. Indeed, he was arguably John Freeman’s most famous guest ever to appear in the series. The program itself didn’t follow the usual studio format. A film team flew to Jung’s Zurich home. And as well as seeing the old man walking by the lakeside, viewers were also given a glimpse of the usually shadowy, somewhat enigmatic, John Freeman himself, whose face, despite the program’s title, rarely appeared on the screen. And another difference: of all the 35 “Face to Face” guests, Jung was the only one to refuse to have his portrait drawn by Feliks Topolski for the program’s opening sequence.Read More »

“Every generation needs Ibsen” says Bo Widerberg and presents his version of the classic drama “The Wild Duck” from 1884. As in a thriller we get to follow how the family happiness of the Ekdahls is driven towards a tragic disintegration.Read More »

This is the original version made for the BBC but banned by them and never screened until 15 years later. The BBC said that they banned it because “There was too much incident packed into too short a time and that they doubted the veracity.” So they thought it was pure fiction. But they also said that it “looked too much like a documentary.”

A brutal depiction of life in the borstal system where order is maintained through violence and intimidation. Carlin’s journey up the pecking order from new boy to ‘Daddy’ earns him the respect of inmates and officers alike.Read More »