Reverend Huie Rogers is a preacher at the Bible Way Church of Our Lord Jesus Christ in Brooklyn. He is the topic of this short film, during which launches into an epic call-and-response denunciation of human hubris, greed, corruption and failure. The use of lengthy shots present it less like a sermon and more a performance, and induce an almost trance-like state.Read More »
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New dark comedy starring Olivia Colman and Julian Barratt as the eccentric Deborah and Maurice Flowers. As Maurice fights inner demons and dark secrets, Deborah tries to keep their family together at all costs and becomes increasingly suspicious that Maurice is in a secret homosexual relationship.Read More »
The program director of a German TV station desperately looks for a new talk master for the Late Show.Read More »
An absolute classic English horror series here from the master Nigel Kneale.
“Animals can be cuddly, friendly, faithful… but beasts are nightmarishly different…” This was how the TV Times heralded the arrival of Beasts, Nigel Kneale’s anthology of six plays – each focusing around a particular “creature” – produced by Nicholas Palmer for ATV in 1976. The warning was to be a timely one. Over the next six weeks, those in the audience brave enough to watch were treated to some classic Kneale horrors, and a lot else besides… To those lucky enough to see it first time around, the series still remains memorable, and, thanks to these DVDs Beasts is finding a whole new audience of fans today.Read More »
DVD 1
Les disparus de Rambouillet – 53 min
That’s the first episode I Watch from this old french TV series from the seventies. I don’t remind it when I was a kid. Well it’s not charmless, but it grew very old, if I explain it in the right way. A story of mystery, with much senseless and humor, a show for the whole family, kids, parents grand parents…I am sure to see all of them, but am not sure if I’ll comment them all. This episode is about disappearing folks in Rambouillet forest, near Paris. So a special squad from the police headquarters is in charge of those missing persons. What could I add more ? One little weird thing, in line of this TV series: the director – Claude Guillemot – himself went in the twilight zone – disappeared – during seventeen years, between 70 and 87, before a comeback. Where the hell did he go during all that time. In Rambouillet forest? by IMDB user GUENOT PHILIPPERead More »
Sir Anthony Blunt was a Soviet agent in Britain for 25 years, the fourth man (after Maclean, Burgess and Philby) in the infamous Cambridge spy ring. Caught out in 1964, Blunt is granted immunity from prosecution and his treason is kept secret in exchange for a full confession. Meanwhile, he continues to work as an art historian, Director of the Courtauld Institute and Surveyor of the Queen’s Pictures. Continually hounded by MI5, he presents his interrogator with a puzzle in the shape of a doubtful Titian painting. He also does art restoration work in Buckingham Palace, where he gets into an ambiguous conversation with the Queen. Meanwhile the investigators demand that he disclose the name of the elusive Fifth Man in the ring as part of his immunity deal, otherwise threatening to expose him to the nation.Read More »
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KOCHUU is a visually stunning film about modern Japanese architecture, its roots in the Japanese tradition, and its impact on the Nordic building tradition. Winding its way through visions of the future and traditional concepts, nature and concrete, gardens and high-tech spaces, the film explains how contemporary Japanese architects strive to unite the ways of modern man with the old philosophies in astounding constructions. KOCHUU, which translates as “in the jar,” refers to the Japanese tradition of constructing small, enclosed physical spaces, which create the impression of a separate universe. The film illustrates key components of traditional Japanese architecture, such as reducing the distinction between outdoors and indoors, disrupting the symmetrical, building with wooden posts and beams rather than with walls, modular construction techniques, and its symbiotic relationship with water…Read More »
During the Gulf War, Serge Daney wrote that conversation, “a typically Franco-Arab art”, was no longer possible between him and his Arab friends. Here, he is offered a setting – both real and cinematic – in which he can attempt to renew this dialogue, which has been interrupted for a time. His choice of interlocutor was an obvious one: Elias Sanbar, Palestinian, historian, director of the magazine “Études Palestiniennes” and image collector. Sanbar is an exile who archives the memory of his people: press photographs, family albums, postcards and so on. For him, images are proof of his identity. Daney, for his part, has spent most of his life watching films, but has always refused to keep still images. On both sides, there was a strong desire to confront these two attitudes to the image, and turn it into a kind of parable of North-South relations.Read More »
During the Gulf War, Serge Daney wrote that conversation, “a typically Franco-Arab art”, was no longer possible between him and his Arab friends. Here, he is offered a setting – both real and cinematic – in which he can attempt to renew this dialogue, which has been interrupted for a time. His choice of interlocutor was an obvious one: Elias Sanbar, Palestinian, historian, director of the magazine “Études Palestiniennes” and image collector. Sanbar is an exile who archives the memory of his people: press photographs, family albums, postcards and so on. For him, images are proof of his identity. Daney, for his part, has spent most of his life watching films, but has always refused to keep still images. On both sides, there was a strong desire to confront these two attitudes to the image, and turn it into a kind of parable of North-South relations.Read More »