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The influence of Fritz Lang is unmistakeable on Powell’s earliest extant film – a thriller crafted with real visual style, despite its limited budget. The twisty plot concerns businessman F.X. Benedik (Rome), who has been receiving threats from a mysterious stranger. When Benedik is murdered, the hunt is on to find his killer – but all may not be what it seems.Read More »
The story of a private security contractor in Iraq who rejected the official explanation of his friend’s death and sets out to discover the truth.Read More »
STORYLINE:
Europe 1990, the Berlin wall has just crumbled: Katrine, raised in East Germany, now living in Norway since 20 years, is a war child: the result of a love relationship between a Norwegian woman and a German occupation soldier during World War II. Katrine enjoys a happy family life, with her mother, her husband, daughter and grand-daughter. But when a lawyer asks her and her mother to witness in a trial against the Norwegian state on behalf of the war children, she resists. Gradually, a web of concealment and secrets is unveiled, until Katrine is finally stripped of everything, and her loved ones are forced to take a stand: What carries more weight, the life they have lived together, or the lie it is based on?Read More »
Jessie is an aging career criminal who has been in more jails, fights, schemes, and lineups than just about anyone else. His son Vito, while currently on the straight and narrow, has had a fairly shady past and is indeed no stranger to illegal activity. They both have great hope for Adam, Vito’s son and Jessie’s grandson, who is bright, good-looking, and without a criminal past. So when Adam approaches Jessie with a scheme for a burglary he’s shocked, but not necessarily uninterested.Read More »
Although he’s an experienced director, nothing can prepare Eddie Israel for what occurs on the set of his new project. Helming a film about an abusive marriage, he too becomes entangled in this terrifying trap — one where the fantasy world of his film becomes his haunting reality.Read More »
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Four police officers of the SDPJ Hauts-de-Seine, Eddie Caplan, Walter Morlighem, Theo Wachevski and Roxane Delgado have their lives turned upside down when their colleague, Max, committed suicide, following a case in which he is unfairly blamed. They then cross the “yellow line”, not hesitating to circumvent the law to achieve their purposes in order to wash the honor of their friend Max.Read More »
PLOT: A depressed man hires an assassin to kill him when he least expects it, but when his life takes an upward turn, he finds he now wishes to live.Read More »
One of the frequent themes in the films of Melville is loyalty between men, so it should come as no surprise to Melville fans that Michel and Ferchaux develop an usual, and even unhealthy bond–you could apply the term ‘co-dependency’ here, but while Melville’s film is ultimately positive when it comes to analyzing the relationship between the aging millionaire and Michel, the Simenon novel on which the film is based is far darker. If there’s any truth to the idea that a relationship can be judged by the way it alters the people involved with each other, then the relationship between Simenon’s characters Ferchaux and Michel Maudet is toxic.Read More »
Gimmicky B-movie fright master William Castle (THE TINGLER, STRAIT JACKET) enters the adventurous (for 1961!) world of gender psychology in this effective suspense picture. Bombshell Emily (Jean Arless) murders the justice of the peace after he marries her to Warren (Glen Corbett) a hotel bellboy whom she paid to do so. The odd couple then move to the sleepy town of Solvang, where she works for Warren’s childhood guardian Helga (Eugenie Leontovich), a mute, wheelchair-bound old woman. Emily terrorizes Helga, knowing that Helga has no way of informing anyone about her murderous manners. Warren’s half-sister Miriam (Patricia Breslin) begins to unravel some family secrets–but not before the body count increases! This low-budget “tribute” to the previous year’s PSYCHO featured a “fright break” in its theatrical run which allowed views to get their money back if they were too scared to watch the conclusion.Read More »