Screwball Comedy

  • Henry Koster – First Love (1939)

    1931-1940ComedyHenry KosterRomanceScrewball ComedyUSA

    In this reworking of Cinderella, orphaned Connie Harding is sent to live with her rich aunt and uncle after graduating from boarding school. She’s hardly received with open arms, especially by her snobby cousin Barbara. When the entire family is invited to a major social ball, Barbara sees to it that Connie is forced to stay home. With the aid of her uncle, who acts as her fairy godfather, Connie makes it to the ball and meets her Prince Charming in Ted Drake, her cousin’s boyfriendRead More »

  • Billy Wilder – The Major and the Minor (1942)

    1941-1950Billy WilderClassicsComedyScrewball ComedyUSA

    Synopsis:
    Susan Applegate, tired of New York after one year and 25 jobs, decides to return to Iowa. Trouble is, when she saved money for the train fare home, she didn’t allow for inflation. So the audacious Susan disguises herself as a 12-year-old (!) and travels for half fare. Found out by the conductors, she hides out in the compartment of Major Philip Kirby, a military school instructor. The growing attraction between Susan and Kirby is complicated by his conniving fiancee…and by the myopic Kirby continuing to think “Su-Su” is only 12!Read More »

  • Alexander Hall – My Sister Eileen (1942)

    1941-1950Alexander HallClassicsComedyScrewball ComedyUSA

    Rosalind Russell plays aspiring Ohio journalist Ruth Sherwood, who heads for New York to seek her fortune, accompanied by her sister, Eileen (Janet Blair), an aspiring actress. The girls take a basement apartment in Greenwich Village, which becomes a gathering place for several oddball characters, including a football jock (Gordon Jones), his silly wife (Miss Jeff Donnell) and an eternally drunken fortuneteller (June Havoc). Ruth tries to sell her writing, but is advised by a friendly magazine editor (Brian Aherne) that she’ll never succeed unless she writes from her own experiences. Meanwhile, Eileen is continually getting in trouble due to her ingenuous attractiveness.Read More »

  • Preston Sturges – Christmas in July (1940)

    1931-1940ClassicsComedyPreston SturgesScrewball ComedyUSA

    A workplace practical joke goes awry when an office clerk (Dick Powell), believing he has won a $25,000 prize, takes his girlfriend (Ellen Drew) on an extravagant Christmas shopping spree…in the middle of July! When the truth comes out, he’s not prepared for the consequences.Read More »

  • Henry Koster – The Rage of Paris (1938)

    1931-1940ComedyHenry KosterScrewball ComedyUSA

    Quote:
    Nicole has no job and is several weeks behind with her rent. Her solution to her problem is to try and snare a rich husband. Enlisting the help of her friend Gloria and the maitre’d at a ritzy New York City hotel, the trio plot to have Gloria catch the eye of Bill Duncan, a handsome millionaire staying at the hotel. The plan works and the two quickly become engaged. Nicole’s plan may be thwarted by Bill’s friend, Jim Trevor, who’s met Nicole before and sees through her plot.Read More »

  • Richard Wallace – The Young in Heart (1938)

    1931-1940ComedyRichard WallaceScrewball ComedyUSA

    The Carletons make a living as card sharps and finding new suckers to mooch off of. When their latest scam backfires, they are asked to leave Monte Carlo. At the train station, they meet Miss Fortune, a very wealthy but lonely elderly lady. As a reward for saving her life after the train derails, Miss Fortune invites the Carletons to come live with her. The family hopes that by winning her affection, they can eventually be named sole beneficiaries in her will. But will a change of heart soften their mercenary feelings before that time comes?Read More »

  • Preston Sturges – The Lady Eve [+Extras] (1941)

    1941-1950ComedyPreston SturgesRomanceScrewball ComedyUSA

    Criterion wrote:
    Barbara Stanwyck sizzles, Henry Fonda bumbles, and Preston Sturges runs riot in one of the all-time great screwballs, a pitch-perfect blend of comic zing and swoonworthy romance. Aboard a cruise liner sailing up the coast of South America, Stanwyck’s conniving card sharp sets her sights on Fonda’s nerdy snake researcher, who happens to be the heir to a brewery fortune. But when the con artist falls for her mark, her grift becomes a game of hearts—and she is determined to win it all. One in a string of matchless comedic marvels that Sturges wrote, directed, and produced as part of a dazzling 1940s run, this gender-flipped battle-of-wits farce is perhaps his most emotionally satisfying work, tempering its sparkling wit with a streak of tender poignancy supplied by the sensational Stanwyck at her peak.Read More »

  • Leo McCarey – Once Upon a Honeymoon (1942)

    USA1941-1950ComedyLeo McCareyScrewball Comedy

    At the start of WWII, Katie O’Hara, an American burlesque girl intent on social climbing, marries Austrian Baron Von Luber. Pat O’Toole, an American radio reporter, sees this as a chance to investigate Von Luber, who is suspected of having Nazi ties. As country after country falls to the Nazis, O’Tool follows O’Hara across Europe. At first he is after a story, but he gradually falls in love with her. When she learns that her husband is indeed a Nazi, O’Hara fakes her death and runs off with O’Toole. In Paris, she is recruited to spy for the allies; he uses a radio broadcast to make Von Luber and the Nazis look like fools.Read More »

  • George Cukor – The Philadelphia Story (1940) (HD)

    1931-1940ComedyGeorge CukorRomanceScrewball ComedyUSA

    Quote:
    With this furiously witty comedy of manners, Katharine Hepburn revitalized her career and cemented her status as the era’s most iconic leading lady—thanks in great part to her own shrewd orchestrations. While starring in the Philip Barry stage play The Philadelphia Story, Hepburn acquired the screen rights, handpicking her friend George Cukor to direct. The intoxicating screenplay by Donald Ogden Stewart pits the formidable Philadelphia socialite Tracy Lord (Hepburn, at her most luminous) against various romantic foils, chief among them her charismatic ex-husband (Cary Grant), who disrupts her imminent marriage by paying her family estate a visit, accompanied by a tabloid reporter on assignment to cover the wedding of the year (James Stewart, in his only Academy Award–winning performance). A fast-talking screwball comedy as well as a tale of regret and reconciliation, this convergence of golden-age talent is one of the greatest American films of all time.Read More »

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