

Retour à l’aube is like Russian (or should we say Hungarian) dolls dreaming of each other : when the dream seems a dead-end or a nightmare, a new one begins in another tone. Danielle Darrieux being the unforgettable doll and key leading to the following dream, following film : drama, comedy, romance, musical, crime, oniric tale, etc… a perfect rainbow directed by Decoin. A film that could be compared to Pierrot le Fou for this rare quality of going through genres and tones as lightly as the air, which I tend more and more to attribute to people having penetrated the secret of cinematic life… or is it just love ? MaybeRead More »







