Romance

Synopsis:
One of France’s most respected filmmakers, Claude Berri here brings viewers the story of Jacques (Jean-Pierre Bacri) a middle-aged sound engineer whose wife has just left him. Living on his own for the first time in years, Jacques decides it’s high time to clean up his life, literally and figuratively. In short order he hires Laura (Emilie Dequenne, a bright, vivacious young housekeeper, to bring order to his apartment. Laura’s presence makes Jacques realize what has been missing from his life, and as their relationship evolves over the subsequent months, both Jacques and Laura gain uncomfortable knowledge of one another, and of themselves.Read More »

Quote:
A frumpy young woman vacations in Marseilles in the large, empty villa of her uncle. She eats at a cafe next to a much hipper woman who she is startled to see sobbing openly. That same young woman appears at her door several hours later – oddly they have switched their exact same, pink beaded bags back at the restaurant. A connection is made, and an adventure begins for ‘Vénus et Fleur.’Read More »

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Not really epic material, this is a fated romantic drama (a typically French quality) set against the exotic background of the Foreign Legion and, actually, a remake of Jacques Feyder’s 1934 film LE GRAND JEU.

The plot involves a successful young lawyer (Jean-Claude Pascal) who, due to a shady deal, finds himself penniless and separated from his wife (Gina Lollobrigida). Stranded in Algeria, he’s persuaded to join the Foreign Legion where he befriends a couple of similar losers (played by Raymond Pellegrin and Peter van Eyck). Read More »

Synopsis:
The story of three close friends who are involved in a love-triangle.Read More »

This is the 25FPS version with modern orchestral score.

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A true classic of Norwegian cinema, Rasmus Breistein’s Bridal Procession in Hardanger (1926) is not only a high point of the nation’s body of silent film, but also stands as a vital piece in their visual and cultural history. Stunningly shot on location on the fjords of western Norway, the film recreates a rural idyll of 19th century Scandinavian life to tell a compelling melodrama of young love, marriage, class division, and the lure of emigration to brighter lands of new promise.Read More »

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When young Domenico (Sandro Panseri) ventures from the small village of Meda to Milan in search of employment, he finds himself on the bottom rung of the bureaucratic ladder in a huge, faceless company. The prospects are daunting, but Domenico finds reason for hope in the fetching Antonietta (Loredana Detto). A tender coming-of-age story and a sharp observation of dehumanizing corporate enterprise, Ermanno Olmi’s Il posto is a touching and hilarious tale of one young man’s stumbling entrance into the perils of modern adulthood.Read More »

A good natured soldier with a killer right hand, falls in love with a beautiful girl who has a troubled past.Read More »

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One of several Pre-Code dramas helmed by Warner Bros. contract director Archie Mayo in 1932, Under Eighteen is a cautionary tale for the working girl that was lost in the shuffle of too many similar programmers released that same year. Seen today, it provides a unique window into the past when studios like Warner Bros. catered to blue collar audiences, particularly women, with movie plots that mirrored situations and circumstances in the lives of their audience.Read More »

A precursor of sorts to The White Reindeer (1952), featuring the same female lead, Mirjami Kuosmanen, and the same cinematographer, Erik Blomberg, who was Kuosmanen’s husband and went on to direct as well as shoot the later film. Disappointment in this film was one of the reasons that led Blomberg and Kuosmanen to make The White Reindeer as an independent production. The film’s nominal producer was Michael Powell, but in fact the production was supervised by John Seabourne (for some reason billed “Jussi” Seabourne in the opening credits), a close friend of Powell’s and the editor of many of the Powell & Pressburger classics of the 1940s. Read More »