Queer Cinema(s)

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It doesn’t look spectacular at first. Two boys each talk separately about their experiences. In the end also on the sexual level. In the end they are also in the room together. In the end they don’t leave it at talking. Remember that homosexuality on film is banned in Thailand and so this film maker has been very daring.

Europeans on sex holidays to Thailand and transvestites who work in tourist areas may give a different impression, but this country is far from liberal in regard to homosexuality. A candid film maker like Thunska Pansittivorakul is therefore sure to come into contact with censorship sooner or later. So anyone who wonders why the two kids in this film keep their pants on right up to the end now knows the answer.Read More »

Police commissioner Santamaria is investigating the murdering of the ambiguous architect Mr. Garrone. The investigations soon drive him into the Torino’s high society. Santamaria suspect Anna Carla and at the same time falls in love for her. Lello is the lover of Massimo, a homosexual platonic friend of Anna Carla. He is following another direction in order to find out the truth, and his results are confusing the Policeman. But another murdering happens…Read More »

To make Sidney’s slump all the more painful, Clifford Anderson, a student of one of Sidney’s writing seminars, has recently sent his mentor a copy of his first attempt at playwrighting for Sidney’s review and advice. The play, “Deathtrap,” is a five character, two act thriller so perfect in its construction that, as Sidney says, “A gifted director couldn’t even hurt it.” Using his penchant for plot, and out of his desperate desire to once again be the toast of Broadway, Sidney, along with Myra, cook up an almost unthinkable scheme: They’ll lure the would-be playwright to the Bruhl home, kill him, and market the sure-fire script as Sidney’s own. But shortly after Clifford arrives, it’s clear that things are not what they seem! Indeed, even Helga Ten Dorp, a nosey psychic from next door, and Porter Milgram, Sidney’s observant attorney, can only speculate where the line between truth and deception lies.Read More »

Adolpho Arrietta was a major figure in the new cinemas that appeared in the sixties and seventies in various countries. Thus he became one of the fundamental film directors in the history of Spanish cinema. As with Buñuel, a long exile seems to have been the condition that allowed his work to keep up with the most important trends in the cinema of his era. Throughout the seventies he produced a series of “punk à la française” films, as Severo Sarduy called them, which for their originality and influence are among the most important in French cinema of that decade. In 1989 he returned to Madrid, and despite noteable intervals, which other Spanish film directors of his generation also experienced, his work proceeded. Alone, like in the era of El crimen de la pirindola but with a digital camera, he produced what for the moment is his latest film: Vacanza permanente (2006).Read More »

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Alternately distressing, instructive, contestable, and fascinating, Juliet Bashore’s 1986 documentary about a lesbian couple working in the porn industry—a cynical older woman (Sharon “Mitch” Mitchell), who is a seasoned porn star, and her lover (known as Tigr), who is an uneasy newcomer to this world, where drugs play a significant role—offers a disturbing glimpse of the modification of bodies, feelings, and lives.Read More »

Muriel is in love with Nora and has recently realized that yes, she prefers girls. Nora has other things in mind. Nothing too heavy here, it has a good feeling of youthful adventure, and some cool 90s parties.Read More »

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The Movie

“Divine was my close friend and fearless muse. Who else could convincingly turn from teenage delinquent to mugger, prostitute, unwed mother, child abuser, fashion model, nightclub entertainer, murderess, and jailbird? All in the same movie? That’s why I am giving my full blessing to a new documentary feature film, I AM DIVINE, to be directed by award-winning filmmaker Jeffrey Schwarz.” — John WatersRead More »

A 30-something bisexual actress who is trying to fit in her friends ‘perfect’ world.Read More »

Takehiro Nakajima directs this romantic drama about a love triangle between two men and a young woman. The film centers on Sayoko (Misa Shimizu of Unagi fame) who works as a voice-over artist for television cartoons. One day she happens upon a lithe young man and his middle-aged lover in mid-kiss. Something about the incident fascinates her, and soon she’s frequenting gay bars until she finds the couple once again. The young man is a designer named Go (Takehiro Murata) while the older man is married and named Terasaki (Takeo Nakahara). When Sayoko learns that Go’s ailing mother has moved in with him, disrupting the couple’s usual tryst, she offers them the services of her place. For a while, things go beautifully. As the two guys go at it upstairs, Sayoko merrily thumbs through art books. Then Terasaki’s wife gets wind of her husband’s extramarital activities and storms Sayoko’s pad. Terasaki is forced to dump Go and the lad consequently goes into a deep funk. In an attempt to cheer him up, she tries to set him up with a hunky former sailor. Instead, the sailor rapes and impregnates Sayoko. Years later, the three meet again.Read More »