Performance

PEACE VOICES RISING FROM GALATA
Sema symbolising a going and return, a spiritual voyage to the perfection is a salutation from the secret brave men in the heart. This voyage composed of seven parts embraces with love and affection all humanity, all living creatures by turning from right to left around the heart.

Galata Mevlevi Music and Sema Group from Galata Mevlevihane organising sema ceremonies fulfills its mission of peace representative thanks to the shows held on the whole world. The group organising a sema ceremony and conversation meeting to the honour of the Queen of Spain in the past years took part in the activities of “World Aid Committee to the Helpless Children” arranged by UNESCO in Brussels.Read More »

Synopsis
One of the great artistic forces of the twentieth century, performer, choreographer, and teacher Martha Graham influenced dance worldwide. Criterion presents a sampling of her stunning craft, all collaborations with television arts-programming pioneer Nathan Kroll. A Dancer’s World (1957), narrated by Graham herself, is a glimpse into her class work and methodology. Appalachian Spring (1958) and Night Journey (1961) are two complete Graham ballets, the first a celebration of the American pioneer spirit, scored by Aaron Copland, the second a powerfully physical rendering of the Oedipus myth. These are signature Graham works and tributes to the art of the human body.Read More »

Quote:
A thrilling, comprehensive guide to New York’s buzzing downtown underground post-punk scene. Director Scott Crary kicks things off with the birth of No Wave in the late 1970’s, providing an angular rush with a priceless collection of live performances from Suicide, Teenage Jesus and the Jerks, the Theoretical Girls and DNA. From this initial explosion of artistic energy, the film moves through the 1980’s, passing the torch to Thurston Moore and Lee Renaldo of Sonic Youth and Michael Gira of Swans, before crashlanding in the noisy Now! of the Yeah Yeah Yeahs, Black Dice, Liars, A.R.E. Weapons and the Gypsy stylings of Gogol Bordello. Interviews connect the threads between the past and the present, an ever-fertile scene is defined, celebrated and trashed with equal amounts of enthusiasm, and the creators of some of the most challenging rock music of all-time get to explain what they do, why they do it and where it’s all heading. – palmpictures.comRead More »

“NY Times wrote:
RICHARD SCHECHNER’S “Dionysus in 69” played during 1968 and 1969 in a converted garage on Wooster Street. Brian De Palma made his movie version in the course of just two actual performances. It opened yesterday at the Kips Bay Theater.

Although rough in a few technical details, it is a film of extraordinary grace and power. With exceptional imagination and intelligence, De Palma has managed both to preserve the complex immediacies of Schechner’s dramatic event (based on “The Bacchae” of Euripides) and to work those immediacies into the passionate and formal properties of his own creationRead More »

This is one of the best opera films ever, one of the few to intelligently juxtapose image and music. S and H’s minimal visual style allows Schoenberg’s maximal musical style to flourish, and there are even spots where we have a black screen, with music only. Filmed outdoors, in natural locations.

Schoenberg’s opera is one of the landmarks of 20th century music, and is heard and seen at its best in this performance.

‘With Moses und Aron, I have tried to destroy Stravinsky’s quote
saying that music was powerless to express the most abstract, the
most ordinary, the most concrete things.’ (Jean-Marie Straub)Read More »

After her boyfriend ends their relationship, the dreamself of a heartbroken woman floats through the air over an industrial wasteland singing ballads of love.Read More »

When the idea of a film about the tango was proposed to director Carlos Saura by a producer, the director spent several months hammering out a scenario that used dance to propel the story about a dancer, Mario Suárez (Miguel Ángel Solá), injured in a recent car accident and freshly divorced, using a film about the tango to heal some deep personal wounds.

Woven into the dances-within-a-film-within-a-film are pieces evoking the tango as the social glue of Argentinian culture, as well as the music’s function during the dark years under Juan Peron, when tango music was played loud by the secret service to smother the cries of torture sessions.Read More »

PLOT SUMMARY
Plot? Are you kidding or what ?There is no plot! This is 57 minutes of naked French weirdness.
Directed by porn king Michel Ricaud and starring a French theatrical troupe in the tradition of Grand Guignol (pronounced Grahn Geen-yol), this shocker contains three gore-drenched, sex-filled tales.
In the first, a sadist with a voodoo doll tortures an attractive woman. The catalogue of humiliation includes vomiting, menstrual trauma, pins through nipples, and finally death.
Next, a possessed woman is tortured by a crazed zombie, who slices off her nipples and gouges out her eye before disembowelling himself. Finally, a woman is attacked by a vampire and returns to life as a lascivious temptress.
– source:hiroshimavideo.comRead More »

“Shakti Timeless” tells the story of the Indo-Western music group Shakti. Formed in 1975, the group pioneered a groundbreaking and highly influential musical East-meets-West approach. In the 1970s, the group, whose name means creative intelligence, beauty and power, consisted of legendary British jazz guitarist John McLauglin, North Indian tabla master Zakir Hussain, violinist L. Shankar and percussionist T.H. Vinayakram, the latter two hailing from South India. Together, they created a fluid and organic sound that managed to successfully combine seemingly incompatible traditions. After a number of very successful live concerts and albums they disbanded. The group was reformed in 1997 under the name Remember Shakti with new talents from India, such as V. Selvaganesh, who replaced his father Vinayakram on percussion, and the young prodigy U. Shrinivas, who replaced L. Shankar. In 2000, the young Indian classical singer Shankar Mahadevan joined as the first vocal element in the group. The documentary is on the DVD “Remember Shakti – The Way of Beauty,” which also includes the 2000 concert film “Saturday Night in Bombay.”Read More »