

A jazz bandleader, falsely accused of murdering his girlfriend, tries to stay one step ahead of the police as he dives into Tokyo’s sin-city in search of the real killer in this dark and beautiful noir from master Seijun Suzuki.Read More »


A jazz bandleader, falsely accused of murdering his girlfriend, tries to stay one step ahead of the police as he dives into Tokyo’s sin-city in search of the real killer in this dark and beautiful noir from master Seijun Suzuki.Read More »


Espionage and intrigue as nuclear scientists attempt to keep and retain top
secret information relating to the atomic bomb.Read More »


Synopsis wrote:
A man faces police questioning after helping a drunk girl the night before.Read More »


When eight sailors onboard their fishing trawler find a mysterious girl mid-sea, ill fortune falls upon the boat as they don’t catch any fish the next few days. The fishermen try to make it back home, although the sea has other plans for them.Read More »


A man becomes increasingly desperate when he realizes he is trapped in a subway station, needing to complete a mission to get out.Read More »


The violent death of an unpopular village resident is initially blamed on an infectious disease, but an investigation shows that everybody in the village had a reason to murder him.Read More »


The 1937 Thirteenth Chair was the third film version of the 1919 stage melodrama by Bayard Veiller. Dame Mae Whitty dominates the proceedings as Mme. La Grange, a phony mystic who is on hand when a man is killed during one of her seances. The killing takes place in the home of a provincial British Indian governor, and the victim was a blackmailer whom everyone present had good reason to despise. Complicating matters for Mme. La Grange is the fact that one of the suspects, Nell O’Neill (Madge Evans) is her own daughter. Dissatisfied with the manner in which brusque Scotland Yard inspector Marney (Lewis Stone) is investigating the case, La Grange takes matters in her own hands, stage-managing a second seance so that the guilty party will be frightened into a confession. More slickly produced than the 1929 version of Thirteenth Chair, the remake isn’t quite as enjoyable, lacking two vital ingredients: Margaret Wycherly and Bela Lugosi, the earlier version’s Mme. LaGrange and Inspector Marney.Read More »


Quote:
It is the last film of the Solovyov trilogy and possibly the last “underground” soviet film. A great scientist returned from US, where he was given a PC (a very rare and expensive thing for Russia of that time) and some other awards for his outstanding research. The KGB and “Bratva” did the best to meet him at his motherland and get a piece of his prize. Besides, it is the film of the last years of “perestroika” which was, in itself, the mass hallucination. So that is the way Solovyov made his film.Read More »


A fake music-hall clairvoyant meets a woman, and suddenly his predictions seem to come true …Read More »