Quote:
It was in 1981 while I was editing a film, The King of Comedy. We worked at night so no one would call us on the telephone and I would have television on, and one channel in New York at the time, around 2 or 3 in the morning, was showing a film called Transes. It repeated all night and it repeated many nights. And it had commercials in it, but it didn’t matter. So I became passionate about this music that I heard and I saw also the way the film was made, the concert that was photographed and the effect of the music on the audience at the concert. I tracked down the music and eventually it became my inspiration for many of the designs and construction of my film The Last Temptation of Christ. […] And I think the group was singing damnation: their people, their beliefs, their sufferings and their prayers all came through their singing. And I think the film is beautifully made by Ahmed El Maanouni; it’s been an obsession of mine since 1981 and that is why we are inaugurating the Foundation with Trances. (Martin Scorsese, May 2007)Read More »
Morocco
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Ahmed El Maanouni – Trances (1981)
Documentary1981-1990African CinemaAhmed El MaanouniMoroccoMusical -
Oliver Laxe – Mimosas (2016)
2011-2020DramaMoroccoOliver LaxeMimosas (original title: Mimosas) is a 2016 drama film directed and co-written by Oliver Laxe, described by Laxe as ‘a Religious Western’. The film is a co-production between Spain, Morocco, France and Qatar. It was screened in the International Critics’ Week section at the 2016 Cannes Film Festival, where it won the Nespresso Grand Prize.Read More »
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Nacer Khemir – Tawk al Hamama al Mafkoud AKA Le collier perdu de la colombe AKA The Dove’s Lost Necklace (1991)
1991-2000African CinemaDramaFantasyMoroccoNacer KhemirSynopsis:
The story revolves around Hassan, who is studying Arabic calligraphy from a grand master. Coming across a fragment of manuscript, Hassan goes in search of the missing pieces, believing that once he finds them, he will learn the secrets of love. With the help of Zin, a lovers’ go-between, he meets the beautiful Aziz, Princess of Samarkand. After encountering wars, a battle between false prophets and an ancient curse, he learns that an entire lifetime would not suffice for him to learn the many dimensions of love.Read More » -
Nacer Khemir – Les baliseurs du desert AKA The Wanderers (1986)
1981-1990African CinemaDramaFantasyMoroccoNacer KhemirSynopsis:
A teacher is assigned to a remote desert village that is obsessed with a mysterious buried treasure and whose children are cursed to wander the desert.Read More » -
Moumen Smihi – Chroniques marocaines AKA Moroccan Chronicles (1999)
1991-2000African CinemaArthouseFantasyMoroccoMoumen SmihiIn Moroccan Chronicles, set in the ancient city of Fez, a working class mother, abandoned by her husband who has emigrated to Europe, tells three tales to her just-circumcised ten-year-old son. In the first, Smihi re-stages the Marrakech market scene from Hitchcock’s The Man Who Knew Too Much, in which a monkey trainer makes children dance for tourists. In the second, two lovers meet on the ramparts of Orson Welles’s Essaouira locations for Othello and speak of their own forbidden love. And in the third, set in Smihi’s home town of Tangier, an old sailor dreams of vanquishing a sea monster: the Gibraltar ferry that connects Europe to Africa.Read More »
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Leila Kilani – Sur la planche AKA On the Edge (2011)
2011-2020African CinemaDramaLeila KilaniMoroccoQuote:
In 1954, William Burroughs wrote that “Tangier is a vast overstocked market, everything for sale and no buyers.” Half a century later, circumstances in the city may have changed, but that same sentiment finds itself modulated by a cab driver as he tosses a portentous glance to Badia (Soufia Issami) and tells her that “Tangier only gives to foreigners.” The protagonist of Moroccan writer-director Leila Kilani’s On the Edge, Badia is a young woman who’s moved from Casablanca to Tangier to make a living. Hoping one day to land a job in the more prestigious factories of the city’s Free Zone, we see her at work in a less glamorous shrimp processing facility, where the sterile whitespace is marred by the orangish slime and grime of piles of shrimp shells. That kind of grime permeates the film and the dingy, noirish urban environments that Badia wends her way through.Read More » -
Laïla Marrakchi – Marock (2005)
2001-2010ArthouseLaïla MarrakchiMorocco
Marock is the 2005 Moroccan film by the female Muslim director Laila Marrakchi. The movie was very controversial as it deals with a Muslim/Jewish love between two high school mates, Rita and Youri. The film was 2006’s most successful film in Morocco, scoring more than 3 million dirhams at the Moroccan box-office, according to TelQuel.
The film was shown in Moroccan cinemas without being edited or censored.[citation needed] The title Marock is a play on words based on the French name of Morocco Maroc and Rock as in Rock’n Roll.The universal language of youthful rebellion takes center stage in director Laïla Marrakchi’s tale of a Moroccan Muslim teen who falls for a handsome and progressive-minded Jewish boy. High school is drawing to a close for 17-year-old Rita (Morjana Alaoui) and her carefree friends, and as the footloose girls pound the pavement of Casablanca’s Anfa district, it seems that their summer of fun is already well under way. When Rita meets fun-loving Youri (Matthieu Boujenah) and the pair hit it off, her liberal Muslim family’s open-minds soon begin to close when they discover that their daughter’s new boyfriend is Jewish.Read More »
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Nabil Ayouch – Ali Zaoua, prince de la rue AKA Ali Zoua: Prince of the Streets (2000)
Drama1991-2000CrimeMoroccoNabil AyouchA movie from Morroco about street kids in casablanca.
Some voices from IMDB.From Morroco
This movie brings back memories of growing up in morocco, although the movie puts you in the front seat of the realities in real life much of this goes ignored by the rest of the populace. The feeling is of numbness to the harsh realities that these vagabonds have to go through. Most of these kids never make it to adulthood and if they do they are seriously psychologically ill. After watching this movie you will undeniably feel resentment to society and blame yourself for being part of it. Overall I think the movie was well directed, the characters were AMAZING (I hope that they get some type of recognition) some of the scenes are beautifully shot. Vote 10+ from my partRead More »






