Japan

The story of five sisters –
based on the short story collection ‘A Calendar’ by Sakae Tsuboi.

Film was entered into the 1955 Cannes Film Festival.Read More »

letterboxd:
In late 1940 the Japanese were anxious to conclude peace in China and to that end sent Colonel Hidaka to inaugurate negotiations. He was mysteriously assassinated, however, when his car was blown up. The General Staff Headquarters in Japan, sends Lieutenant Shiina, a graduate of the famed Nakano School of Spies inaugurated by Colonel Kusanagi, to investigate the matter. Arriving in Shanghai, he disguises himself as a Chinese coolie and sets out to watch for developments, the only clue being a silver dollar found beside what was left of the victim.Read More »

Two junior high school students enters a casual sex relationship.Read More »

Hayashida Gisuke is illegal dentist during the day and a burglar by night. One night during the burglary he becomes a witness of derailment. Later some commies were found guilty in this incident, but he know it wasn’t they. He can save innocent people but for that he must confess his own crime.Read More »

For his latest film, Yoshida turned once more to melodrama as a means of sensitively engaging a difficult political issue, here the devastating legacy of the Hiroshima bombing. Mariko Okada stars, in her 154th film, as the eldest of three women trying to uncover the hidden family ties that may or may not bind them together. A shared memory of the Hiroshima disaster draws the three generations together in a search back to the very site of the atomic trauma that unites them, with Hiroshima standing in as a figure for the limit point of the national imagination. Among Yoshida’s more classical films, Women in the Mirror is an assuredly stylish late work that carefully balances the three women’s stories as interlocking pieces of a complex psychological and historiographic puzzle.Read More »

Iori, a 16-year-old boy, is forced to commit “seppuku” (ritual suicide) to follow his late sovereign in death and thus preserve the honor of his samurai clan. His older brother’s wife, Oko, who raised Iori as if he were her own son, asks her husband’s permission to spend a night with the young man and teach him, out of maternal mercy, the art of pleasures of the flesh. However, the next day, an official decree is issued, surprising everyone involved.Read More »

Synopsis
At his working place, Kozo and his colleague gangrape the boss’ teenage daughter. Then, on the highway, he picks up a red-haired woman walking on the road back to his home. She ends up staying the night. Later, the woman reveals that she has left her husband and son, but refuses to divulge her name. On the other hand, the boss’ daughter informs Kozo’s colleague that she is pregnant. They decide to elope but, before that, he demands Kozo to let him have sex with the red-haired woman…Read More »

Quote:
In a spiritual continuation of the anguished confrontations that close out Minamata: The Victims and Their World, Minamata Revolt captures the direct negotiations that took place between the Chisso corporation and the Minamata disease victims after a court ruling ordered the company to compensate them and their families. Patients who had self-organized to demand the company for direct payments and lifelong medical care stare down and scream in the faces of Chisso’s spokespeople, who effortlessly embody the chillingly staid evil of corporate greed. The second and most rarely screened entry in Tsuchimoto’s Minamata Trilogy, Revolt is a gripping indictment of modern industry and a testament to human resilience.
– Museum of the Moving ImageRead More »

Quote:
A Woman’s Uphill Slope follows the fortunes of Akie (Mariko Okada), a young woman who visits Kyoto after inheriting a shop that sells traditional sweets. Fascinated by the shop’s traditions, she abandons her plans to open a tailor shop and decides to stay. She soon falls in love with a married painter, Saburo Yaoi (Keiji Sada), who turns out to be her mother’s former lover.Read More »