Japan

Synopsis:
An affluent medical professor, Komiya, and his bossy wife, Tokio, are to look after Setsuko, their high-spirited niece from Osaka. Setsuko is a liberated woman who does what she wants, including smoking, even though she is a minor. On Saturday, the professor does not feel like going to his weekend golf game, but his wife packs him off anyway. So he leaves his bag at the apartment of his student Okada, and goes to a bar with a friend. Setsuko traces him there, and insists that he take her to a geisha house. When she gets rather tipsy, the professor calls Okada to take her home, while he sleeps at Okada’s. The wife becomes suspicious of Setsuko when she sees Okada bringing her home, and also of her husband when she discovers that he did not go golfing.Read More »

Isolde Standish:
With the change in the aesthetic of the yakuza genre that occurred in the 1970s towards the realist style of the innovator Fukasaku Kinji ‘jitsuroku’ film series, the ninkyo ethic of the 1960s films again shifted genre. After the great success of the three-part epic War and Humanity (Senso to ningen), based on the six-part novel by Gomikawa Junpei (1916-1995) and released by Nikkatsu between 1970 and 1973, epics based on the war or military themes became increasingly popular throughout the 1970s and 1980s.Read More »

Synopsis: A detective investigating a serial rapist discovers that he and the perpetrator come from the same lineage of depraved individuals, a genealogy of violent and sexually perverse deviants that streches through the Meiji, Taisho and Showa eras and can even be traced back to the Edo era.Read More »

Quote:
Sakuko is an 18 year old student, who travels with her aunt to Mikie from Tokyo to a seaside town where they plan to housesit for the summer. Mikie is working on an academic project and Sakuko is preparing for her university entrance exams.

But the summer days move slowly and Sakuko soon makes a friend, Takashi, a simple young lad who was sent to the town as a refugee from Fukushima and the Great East Japan Earthquake. Takashi has dropped out of school and works at love-motel managed by Ukichi, a old friend of Mikie.Read More »

Set in the late 1950s, when geisha culture was threatened by moral crusades, it tells the story of Omacha (Miyamoto Maki), a young girl who sees the geisha life as a way to lift her poverty-stricken family from their hand-to-mouth existence. Through her eyes, we see the protocols and complex financial relationships which dictate the running of the geisha house. Fukasaku’s film is a work of great delicacy with moments of hypnotic beauty, and his tender direction, often touched with a sense of wonder, fills the screen with lovingly constructed scenes. At its heart is the poignant situation of the women who must sacrifice their normal relationships to live an ambiguous life in which they are a key part of society while being kept, for the most part, on its periphery, like perpetual mistresses.Read More »

Quote:
A young man and his wife struggle within the confines of their passionless relationship while he has an extramarital romance.Read More »

Quote:
Following the collapse of his clan, an unemployed samurai (Tatsuya Nakadai) arrives at the manor of Lord Iyi, begging to be allowed to commit ritual suicide on the property. Iyi’s clansmen, believing the desperate ronin is merely angling for a new position, try to force his hand and get him to eviscerate himself—but they have underestimated his beliefs and his personal brand of honor. Winner of the Cannes Film Festival’s Special Jury Prize, Harakiri, directed by Masaki Kobayashi is a fierce evocation of individual agency in the face of a corrupt and hypocritical system.Read More »

Synopsis:
February 17 to March 3, 1860, inside Edo castle. A group of assassins wait by Sakurada Gate to kill the lord of the House of Ii, a powerful man in the Tokugawa government, which has ruled Japan for 300 years. They suspect a traitor in their midst, and their suspicions fall on Niiro, an impoverished ronin who dreams of samurai status, and Kurihara, an aristocratic samurai who befriends Niiro. Niiro longs to identify his father, knowing he is a high-ranking official who will disclose himself only if Niiro achieves samurai status. With American ships in Japan’s harbors, cynicism among the assassins, and change in the air, Niiro resolves to reach ends that may prove ephemeral.Read More »

Quote:
When a woman and her bridegroom are found dead in a double suicide the day after their wedding, it is up to the detective to figure out what could possibly have motivated them. Carefully and systematically, he pieces together the inner lives of the two.Read More »