Japan

A dramatized biography of Fumiko Hayashi, the noted Japanese writer. Born to improverished parents Fumiko does all she can to earn money enough to support herself. Along the way she gets invovled with various men, good and bad.Read More »

A work produced for the Morimura Yasumasa Exhibition at the Yokohama Museum of Art, (April 6 to June, 1996). It was shown in an old-style theater constructed within the exhibit space that featured photographs of Morimura playing famous foreign and Japanese actresses.Read More »

Takashi Ito wrote:
I stuck landscape photographs on the faces of a cube and shot them frame-by-frame. It looks like the box is forever revolving, but in truth it only revolves 90 degrees. The trick to this sensation is fundamentally the same as the one used in SPACY. I was aiming at disturbing our awareness of space in the movement from the three-dimensional to a plane and back again.Read More »

Takashi Ito wrote:
Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank.Read More »

This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.Read More »

Takashi Ito wrote:
A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.Read More »

Takashi Nakajima wrote:
The filming of the entrance to the company dormitory in which the film-maker was living. Centering the film on one pillar, he warps the spaces to the left and right and creates an unstable space similar to painting that employs anamorphosis. Made as were SPACY and BOX with a large number of photographs, the film ends with a violent movement, but is poetic for this.Read More »

Takashi Ito wrote:
In the early afternoon, a mother holding her child stands still in the park of a housing project. The kind of sight that is a symbol of beauty and love. Be as that may be, they have no face. The camera is aimed persistently at the spot from which they have vanished as if to find something. A work that began out of the search to understand the relation between the family and the self.Read More »

Shun Ikezoe wrote:
People can never really understand each other. Thinking back, I feel this way because of my former mother-in-law. That time, when Kansai dialect and Sichuan Chinese flew back and forth around me and I called my mother Sis, is recreated on expired 8 millimeter film. The expiration date of the film used is the same year that she walked out on us.Read More »