

A detective follows a killer who films his murders with a knife attached camera.Read More »


A detective follows a killer who films his murders with a knife attached camera.Read More »


It depicts a unique parent-child love through the appearance of a father and daughter reuniting for the first time in 15 years. A theatrical version of the tele feature aired on Nippon Television in 1988. The screenplay was co-written by Rio Kishida and Yo Saiki of “Prosperity of Vice.” The director is Nobuhiko Obayashi of “Futari”. The cinematographer is Yoshinao Sakamoto of “BEST GUY”.Read More »


Quote:
Basically the plot revolves around an endebted entreprenor who sell his fields to a business-man who plan to build an car-factory. Instead of this factory, the fields will prove to be used for the Shinkansen line. Then, the endebted entreprenor will seek back the business-man for get much more money he deserved in this real trade.
Another not-so subtle critic of capitalism, but some good dark thriller moments and a great&painful strangulation sequence!Read More »


Synopsis:
Ume (Kyoko Kishida) and Kame (Kazuko Yoshiyuki) are two elderly sisters who live in a large house packed with discarded items they find while rummaging through trash in their town. One day, the two women find some red yarn and bring it home. That evening, the women discover a young girl (Ayu Kitaura) who has entered their home and knitting a sweater with their red wool. Who is this girl?Read More »


KatsuKanai wrote:
My first film, The Deserted Archipelago, emerged out of the intersections between my own experiences and fantasies and Japan’s postwar history, and, as such, I might call it the “Human Chapter” of my trilogy. In contrast, Good-bye pursues the mystery of my distant DNA. Since it moves from blood to land, I might call it the “Earth Chapter.” Following these two narratives came The Kingdom. Even if we were to deny all gods, there is one god controlling us, one god whom we cannot refuse: the god of time. The Kingdom was my challenge to that god of time as well as the finale, “The Heavenly Chapter,” to my Smiling Milky Way Trilogy.Read More »


STORY.
After his benefactor Shima falls ill, Hibiki (Shin Saburi) sets out to rebuild the hospital that Shima had run. In the complicated relationships that swirl around the hospital, Gin (Mitsuko Mito), a nurse who works as Hibiki’s confidant, gradually develops a romantic interest in him. Meanwhile, Shima’s daughter Keiko (Mieko Takamine) and her fiancé Sasajima (Shin Tokudaiji) rebel against Hibiki’s dogmatic behaviour…Read More »


In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.Read More »


One of seven new films in a series–called the “Asian Beat” series–which revolve around the exotic adventures of a young Japanese hero, Tokio.Read More »


After a tragic car accident where his girlfriend Ryôko Ooyama (Nami Tsukamoto) died, Hiroshi Takagi (Tadanobu Asano) suffers amnesia with his memories completely blanked. When he sees a book about dissection, he decides to join the medical school with the support of his parents. In the dissection class, his group participates of the autopsy of a young woman, and while cutting apart the tissue, he partially recalls his accident. Later, when he sees a tattoo in the arm of the corpse, he discloses that she was his girlfriend and becomes obsessed to go further in the examination of the body.Read More »