

Felice Pietà is a man of modest means living with his second wife, Adelaide. Together, they raise Monica, from his first marriage with Silvia, who committed suicide long ago.Read More »


Felice Pietà is a man of modest means living with his second wife, Adelaide. Together, they raise Monica, from his first marriage with Silvia, who committed suicide long ago.Read More »


Because of an accident, Michele (a leader of P.C.I. and a water-polo player) loses his memory. During one water-polo match, strange guys torment him; they want him to remember his past. As the match is about to finish, he misses the penalty which would have let his team draw the match and keep the leadership.Read More »


Based on the novel 1990 novel “Gli sfiorati” by Sandro Veronesi; the story of an existential drama where the young Méte, a graphologist fascinated by the psychology hidden behind writing, it’s an embarrassing and difficult situation having to take care of his half-sister Belinda, a seventeen-year-old teenager in the balance between everything and nothing, during the second marriage of Méte’s father (the only thing the two have in common). To avoid the situation, Méte pretends to be mostly busy with Damiano, a womanizer friend, and Bruno, colleague and separated father. The movies revolves around an impossible love affair, that between a half-brother and a half-sister, and is made up of characters who are lost, tormented, aimless, against the background of a Rome that is chaotic, arrogant, immersed in its ruins and its social routines.Read More »


A couple of bourgeois intellectuals, Carlo and Silvia are married for twenty years. But they wearily live their relationship separately; while she lives in their original flat in Rome, he lives with a young lover, Lù from time to time in his house in the country while writing a book. He does not keep his relationship hidden from his wife and even accepts that Silvia may have lovers, among them in particular a young and violent neo-fascist. But this relationship rekindles Carlo’s jealousy and he becomes obsessed by knowing everything about her affairs and jealousy makes him blind. The film navigates between eroticism, decadence and perversion, in an obscure game with no wins or winners.Read More »


Antonio married Amalia and went to fight in Russia during World War II. Since he didn’t return Amalia thought he was dead, so she married another man. Many year after the war end, Antonio returns, and Amalia has to choose between two husbands. But while the two fight over her, a third one may be lurking…Read More »


Quote:
The 1978 kidnapping and murder of Aldo Moro by the Red Brigades as seen by an outsider perspective, that of his family and political allies.Read More »


Cynthia, an exotic dancer in a upscale resort in Southern France, is seduced by a strange couple: Alpha, a being from another dimension and her human slave, Andros.Read More »


Synopsis
(by Tim Lucas)
Made in 1975, “De Sade’s Juliette” was one of Franco’s earliest XXX productions, predated only by “Sexorcismes”, the hardcore variant he produced of the 1974 film “Exorcism.” It was never released anywhere in its original form. Its only release anywhere in the world was as “Justine”, the Italian variant shared here, which was cobbled together by Joe D’Amato in 1979-80, who shuffled in some footage from another 1975 Franco film, “Midnight Party.” For some other unfathomable reason, Alice Arno is top-billed and she’s not even in it!Read More »


Co-produced by Roger Corman, “one of the most underrated horror movies of all time” (Classic Horror) features ultra-lurid direction by American-International star Mel Welles (LITTLE SHOP OF HORRORS) from a story by by Dick Randall (PIECES), distinctive cinematography by Riccardo Pallottini (CASTLE OF BLOOD) and score by Alessando Alessandroni (THE DEVIL’S NIGHTMARE), a cast that includes Hollywood legend Joseph Cotten (CITIZEN KANE) alongside EuroCult icons Paul Müller (NIGHTMARE CASTLE), Herbert Fux (MARK OF THE DEVIL), Marino Masé (TENEBRAE) and Mickey Hargitay (BLOODY PIT OF HORROR), and a titular performance by the remarkable Rosalba Neri (THE DEVIL’S LOVER) for whom “only the monster she made could satisfy her strange desires!”Read More »