Iran

12-year-old Ali and his three friends.Together they work hard to survive and support their families. In a turn of events that seems miraculous, Ali is entrusted to find hidden treasure underground.Read More »

In 1978, the inhabitants of Zalava, a small village in Iran, claim that there is a demon among them. While investigating the strange case, Massoud, a young police sergeant, crosses paths with an exorcist.

Critically setting his film in 1978, at the onset of the Iranian Revolution, writer-director Arsalan Amiri conjures an eerie atmosphere, sensitively laced with bitter irony as his script (co-written with Ida Panahandeh and Tahmineh Bahram) wrestles with paradoxical arguments about faith, tradition, and modernity in the face of an ambiguous threat. Escalating to Schrödinger’s demon scenarios of sublime suspense — artfully photographed by Mohammad Rasouli — this dread-filled fable eventually crystalizes these tensions in an irresistible, metaphysical horror dilemma that is guaranteed to haunt you the next time you handle a sealed glass jar, regardless of whether or not a demon waits inside.

8 Wins & 14 Nominations, including Winner of the Critics’ Week Grand Prize at 2021 Venice Film Festival and the FIPRESCI Private at the Venice Fim FestivalRead More »

Ali and his father go from their poor neighborhood in the outskirts of the city to a hospital so that Ali’s father can be treated for his sickness. However since they have no money, Ali starts to work for Dr. Sameri who deals in blood.Read More »

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Complicated entanglements occur in a border village when an exiled Iranian teacher finds himself helping a refugee Afghan family fleeing the Taliban.Read More »

Based on an ancient story Sang-e Sabor it’s the story of a girl Nardaneh who one day hears a voice telling her that soon she will marry with a dead man. One day she enters a castle and in one of it’s room finds a dead body with a book beside it. She begins to read the book and follows the instructions step by step.Read More »

Hunting for interesting elements for a play, a photographer meets an old man, who has just had a heart attack He tries to save the man’s life. In an effort to determine the old man’s identity, he is confronted with the old man nostalgic memories.Read More »

With his debut Kami’s Party, Ali Ahmadzadeh offered a day in the life of a group of middle-class Iranians, largely from within the confines of a car. Now his latest film takes us on a character study odyssey through the night streets of Tehran as we go along for the ride with drug dealer Mr Amir (Amir Pousti, a non-professional, like all those involved, although you wouldn’t know it). His shaggy beard and hair recall the iconographic look of Christ and, in a way, he is ministering to the “sinners” and the lost souls of the city.Read More »

In Iran and Iraq’s postwar years, when Iraq bombs its Kurdistan, an old Iranian Kurd singer, accompanied by his musician sons, start searching for his ex-wife Hanareh. Hanareh, a women singer, has gone to Kurdistan in Iraq. The film is the story of the band’s journey, joined with their music. It is the story of a nation that has always been wandering. Being so used to war, they take it as a game and with their music they celebrate life.Read More »

Against the tumultuous backdrop of Iran’s 1953 CIA-backed coup d’état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship.Read More »